Most followers of electro-acoustic music recognize the contributions both Bruno Maderna and Luciano Berio have made to the field, mainly due to their collaborative work Ritratto di Citta, which established the Studio de Fonologia in 1955. Fewer, however, are familiar with their individual projects from the late '50s and early '60s that clearly set them apart from their counterparts in Cologne. Berio and Maderna were both obsessed by the human voice as a basis and endpoint in electro-acoustic music…
Waves of Anzac/The Journey’ is Mick Harvey's first soundtrack release in over 10 years. "The album features two recent soundtracks to powerful subject matters recorded by Mick Harvey. The first, ‘Waves of Anzac’, looks at Sam Neill’s personal family history interwoven with the history of the First World War and the ANZACs through to the modern era, while the second, ‘The Journey’, is a four-part composition released in support of #KidsOffNauru, a campaign working for the child refugees and people seeking asylum who find themselves in offshore detention.
Compiled from ultra-rare dead stock pressed at a Soviet-era vinyl plant in Tashkent, Uzbekistan, this first-of-its-kind fully licensed album features a supreme selection of Uzbek disco, Tajik electronic folk, Uyghur guitar licks, Crimean Tatar jazz, Korean brass, and genre-defying styles from Soviet Central Asia.
Compiled from ultra-rare dead stock pressed at a Soviet-era vinyl plant in Tashkent, Uzbekistan, this first-of-its-kind fully licensed album features a supreme selection of Uzbek disco, Tajik electronic folk, Uyghur guitar licks, Crimean Tatar jazz, Korean brass, and genre-defying styles from Soviet Central Asia.