Trance has turned into a global phenomenon. Like no other genre in EDM, it puts its listeners in a frenzy, hypnotizing with every beat. And that’s a lot, with a bpm that high…
Having recently declared that he's in far better voice than he was in his '70s/'80s heyday, romantic crooner Julio Iglesias gets to put his money where his mouth is on this alternative greatest-hits collection, Vol. 1. His first studio release since 2007's Quelque Chose de France sees Spain's most successful musical export revisit 15 of his most cherished songs from his enduring 40-year career, with tracks spanning from 1973's Un Canto a Galicia (the title track) right up to 2006's Romantic Classics (a Spanish-language version of Elvis' "Always on My Mind"). But other than the inevitable maturity in Iglesias' voice and a slightly glossier production, there's little variation between the originals and the new recordings, which, with the exception of the breezy Gallic lounge-pop of "As Vezes Tu, As Vezes Eu," stick to his trademark orchestral and flamenco-tinged chansons.
British harpsichordist Gilbert Rowland, who has recorded well-received versions of works by Soler and Scarlatti, here turns his attention to Handel's suites for harpsichord. These works have been historically neglected, apparently for the mere reason that they are not like Bach's partitas. Published mostly in 1720 and 1733 but dating in some cases from the earliest years of Handel's career, they are brilliant works that effectively fuse the decoration-encrusted French style with joyous Italianate lightness. They can be approached in several different ways. Rowland steers away from tempo variations, offering crisp readings that tend to drive directly forward through a phrase and then pause slightly at its end.