Hollywood Opus

If you're a serious composer, EastWest/Quantum Leap Hollywood Orchestral Percussion Diamond Edition is a must-have compositional tool. Utilizing unique repetition sim techniques and sophisticated 8-way round-robin implementation for an ultra-realistic performance, this phenomenal orchestral sample library will breathe new life into your arrangements. Do your compositions lack impact? Well, Hollywood Orchestral Percussion's meticulously recorded timpani and bass drums - including the Epic Bass Drum Ensemble and Mahler Hammer - give this library serious punch, while its massive array of snare drums, cymbals, chimes, celesta, and vintage field drums add those elusive accents that will glue your arrangements together.

The EastWest/Quantum Leap Hollywood Solo Cello virtual instrument is a library designed to work together seamlessly with the Hollywood Orchestra series. While it includes the same number of microphone positions, and many of the same features, there are a few key differences that are outlined below.

The EastWest/Quantum Leap Hollywood Solo Violin virtual instrument is a library designed to work together seamlessly with the Hollywood Orchestra series. While it includes the same number of microphone positions, and many of the same features, there are a few key differences that are outlined below.

The EastWest/Quantum Leap Hollywood Harp virtual instrument is a library designed to work together seamlessly with the Hollywood Orchestra series. While it includes the same number of microphone positions, and many of the same features, there is a key difference outlined below.

Produced by industry titans Doug Rogers and Nick Phoenix, Hollywood Choirs is the best-selling and most awarded virtual choir product ever made. You have absolute control over a full choir with dramatic dynamics - soft and lyrical, to epic and overwhelming. No matter how grand the story you need to tell, Hollywood Choirs provides you with the tools to express it fully. Hollywood Choirs gives you an excellent way to transform the quality of your cinematic compositions or simply give you another powerful resource to build outstanding productions - and you can type in any word into the WordBuilder engine and hear it performed in real time.

The Mills Brothers, sometimes billed the Four Mills Brothers, and originally known as the Four Kings of Harmony, were an American jazz and traditional pop vocal quartet who made more than 2,000 recordings that sold more than 50 million copies and garnered at least three dozen gold records. The Mills Brothers were the first African-American artists to have their own show on national network radio (on CBS in 1930); they made appearances in film; and were the first to have a #1 hit on the Billboard singles chart, with Paper Doll in 1943. They were inducted into the Vocal Group Hall of Fame in 1998.

The Doors mark the moment when the American rock underground of the 1960s came crashing into the mainstream. The group's massive influence on the course of rock music may been overshadowed by decades of lionization of their late lead singer Jim Morrison, whose early death wound up being a pivotal part of their legacy. He seemed to loom larger in his afterlife than he did when he roamed the earth, his posthumous popularity cresting in the '80s as the Doors returned to radio airwaves in the wake of their magnum opus "The End" soundtracking pivotal moments in Francis Ford Coppola's Apocalypse Now.

Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. Collection includes: (Who's Afraid Of?) The Art Of Noise! (1984); In Visible Silence (1986); In No Sense? Nonsense! (1987); Below The Waste (1989); The Ambient Collection (1990); The FON Mixes (1991); The Seduction Of Claude Debussy (1999).