The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivaled the best old-school DJs on their own terms – keeping a crowd of people on the floor by working through any number of groove-oriented styles featuring unmissable samples, from familiar guitar riffs to vocal tags to various sound effects. And when the duo (Tom Rowlands and Ed Simons) decided to supplement their DJ careers by turning their bedrooms into recording studios, they pioneered a style of music (later termed big beat) remarkable for its lack of energy loss from the dancefloor to the radio. Chemical Brothers albums were less collections of songs and more hour-long journeys, chock-full of deep bomb-studded beats, percussive breakdowns, and effects borrowed from a host of sources. All in all, the duo proved one of the few exceptions to the rule that intelligent dance music could never be bombastic or truly satisfying to the seasoned rock fan; it's hardly surprising that they were one of the few dance acts to enjoy simultaneous success in the British/American mainstream and in critical quarters.
This Dutch blues band was formed in the Hague around 1967, becoming a regular outfit from 1969. The early line-up included Bjorn Toll (vocals), John Lagrand (harmonica), Ted Oberg (guitar), Ruud Fransen (bass) and Niek Dijkhuys (drums) but although the name remained wholesale changes soon took place, bringing in a new singer, Nicko Christiansen, and new bass and drums, Peter Kleinjan and Beer Klaasse, the latter pair being swiftly replaced by Gerard Strutbaum and Cesar Zuiderwijk, while keyboard player Henk Smitskamp was added…
Peter White is one of those rare artists whose unique sound and natural, unpretentious musical vision encapsulate all the charm, appeal, and excitement of his genre. However one chooses to label that style – new adult contemporary, contemporary jazz, pop instrumental – the English-born acoustic guitarist has struck rare chords, artistically, commercially, and emotionally, in becoming a melodic mainstay at the top of every radio airplay and sales chart known to soulful, smooth jazz since launching his solo career in 1990 with reveillez-vous. White's similarly warmhearted, instantly infectious Columbia debut Caravan of Dreams continues in the R&B vein of his previous two discs (1993's Promenade and 1994's Reflections), focusing on his trademark breezes while texturing street-smart synth grooves with a free-spirited all-star ensemble to create a whimsical musical travelog.
Based out of North Central Florida and inspired by classic & contemporary blues, the Bridget Kelly Band has placed their unique stamp on the "electric blues" genre, with high-energy live performances and a hybrid sound that mixes Texas, Chicago, and Memphis Blues with various Southern Blues traditions and blues-rock of the 1960's and 70's. The powerful and sultry vocals of singer Bridget Kelly and the incendiary lead guitar work of Tim Fik forge a signature hybrid sound that combines female urban blues with riff-driven rockin' blues guitar; held together by a dynamic rhythm section comprised of Alex Klausner on drums and Mark Armbrecht on bass.