Home Magazine No.42

Best known for his stint fronting art pop hitmakers Supertramp, Roger Hodgson was born in Portsmouth, England, on March 21, 1950. While growing up in Oxford, Hodgson started playing guitar before he was a teenager, and was soon writing songs while at boarding school…

Britain's Dame Gillian Weir is one of the world's foremost musical artists. Her unique career as an internationally acclaimed concert organist, performing worldwide at the great festivals and with leading orchestras and conductors, has established her as a distinguished musician. She is known for her virtuosity, integrity and outstanding musicianship, which combined with a notable personal charisma, have placed her in the forefront of her profession and won her the admiration of audiences and critics alike.

Sounds of the Seventies was a 38-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early 1970s) in others; in addition, some volumes covered specific trends, such as music popular on album-oriented rock stations on the FM band. Each volume was issued on either compact disc, cassette or (with volumes issued prior to 1991) vinyl record.

Metallica - Master Of Puppets (2017) {3CD Blackened Recordings Remastered & Expanded Edition BLCKND005R-3 rec 1986}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.31 Gb | MP3 @320 -> 484 Mb
Full Artwork @ 300 dpi (png) -> 300 Mb | 5% repair rar
© 1986, 2017 Blackened Recordings | BLCKND005R-3
Metal / Heavy Metal / Thrash Metal

Even though Master of Puppets didn't take as gigantic a leap forward as Ride the Lightning, it was the band's greatest achievement, hailed as a masterpiece by critics far outside heavy metal's core audience. It was also a substantial hit, reaching the Top 30 and selling three million copies despite absolutely nonexistent airplay. Instead of a radical reinvention, Master of Puppets is a refinement of past innovations. In fact, it's possible to compare Ride the Lightning and Master of Puppets song for song and note striking similarities between corresponding track positions on each record (although Lightning's closing instrumental has been bumped up to next-to-last in Master's running order). That hint of conservatism is really the only conceivable flaw here.