Hope After State Capture

There is something special about two musicians in unison. Solo artists bear the brunt of pretty much everything – be it success or failure, joy or misery, it is all on their shoulders. Groups, meanwhile, are mostly perceived as ideal examples of democracy, when the reality is that they are governed by a benign dictator (if lucky) or a cruel despot (if not). Duos, on the other hand, are clearly in tune (and harmony) with themselves and each other.

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Imagine: It’s sometime in the back half of the 19th century, America. You’re sitting in the parlor of your mansion, or in the only room of your shack; things are dusty and smell like sweat and hair, no matter how wealthy you may be. You don’t own a phonograph, and you don’t know who Tony Hawk is, but you have an inkling of how good the word “shred” is going to feel when it enters the local slang. Suddenly, a tall, elegant figure with beautifully maintained fingernails emerges from some corner of the room, carrying a guitar. He says in a soft voice, “I have a transmission for you, from the coming few centuries. Would you like to hear it? I figured you wouldn’t have a dongle, so I brought my guitar.”