Horace Silver Finger Poppin

Horace Silver - The Jody Grind (1966) {Blue Note CDP7842502 rel 1991}

Horace Silver - The Jody Grind (1966) {Blue Note CDP7842502 rel 1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 245 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1966, 1991 Blue Note / Capitol | CDP 7 84250 2
Jazz / Hard Bop / Soul Jazz / Piano

Following the subtly modern bent of much of The Cape Verdean Blues, Horace Silver recommitted himself to his trademark "funky jazz" sound on The Jody Grind. Yet he also consciously chose to keep a superbly advanced front line, with players like trumpeter Woody Shaw (retained from the Cape Verdean session), altoist/flutist James Spaulding, and tenor saxophonist Tyrone Washington. Thus, of all Silver's groove-centered records, The Jody Grind winds up as possibly the most challenging.
The Horace Silver Quintet & Trio - Blowin' The Blues Away (1959) [Analogue Productions 2011] PS3 ISO + Hi-Res FLAC

The Horace Silver Quintet & Trio - Blowin' The Blues Away (1959) [APO Remaster 2011]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 42:45 minutes | Scans included | 1,32 GB
or FLAC (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 981 MB

Blowin' the Blues Away is an album by jazz pianist Horace Silver, released on the Blue Note label in 1959 featuring performances by Silver with Blue Mitchell, Junior Cook, Eugene Taylor, and Louis Hayes. The Allmusic review by Steve Huey awarded the album 4½ stars and states "Blowin' the Blues Away is one of Horace Silver's all-time Blue Note classics… one of Silver's finest albums, and it's virtually impossible to dislike".
Blue Mitchell - Blue Mitchell (aka Soul Village) (1971) Remastered Reissue 2014

Blue Mitchell - Blue Mitchell (aka Soul Village) (1971) Remastered 2014
EAC | FLAC | Image (Cue&Log) ~ 216 Mb | Mp3 (CBR320) ~ 93 Mb | Scans included | 00:30:56
Hard Bop, Soul Jazz, Trumpet Jazz | Label: Mainstream, Boplicity | # MRL 315, CDBOPM 029

Trumpeter Blue Mitchell made his name when he was a member of the Horace Silver Quintet, who were at the vanguard of the soul jazz movement in the late 50s-early 60s and recorded several best-selling albums for Blue Note: Finger Poppin', Blowin' The Blues Away and The Tokyo Blues. When the Quintet disbanded, Mitchell formed his own combo and signed to Blue Note direct. Over the next five years he made eight albums including The Thing To Do and Down With It! which continued to define soulful jazz. He championed young talent, employing drummer Al Foster and pianist Chick Corea. In the early 70s he signed to Bob Shad's Mainstream Records at a point where he was a successful session player, utilised by John Mayall and Ray Charles, among others. This, his debut album as solo artist, is a magnificent, largely acoustic, session unusual for this period. Its five tracks of swinging soul jazz, include Mi Hermano, a big club spin for Gilles Peterson.