This Rough Guide showcases some of Africa’s leading lights of the guitar, both past and present, from West African bluesmen Samba Touré and Alhousseini Anivolla to the fingerpicking wizardry of South African maskanda legend Shiyani Ngcobo.
Un tour d'horizon des différentes techniques de psychothérapie : sophrologie, rêve éveillé, hypnose, EMDR, PNL et méditation, entre autres. Avec des témoignages, des conseils pratiques et des informations sur le métier de psychopraticien. …
Liszt's position as a composer for the Church has always been controversial. The paradox that the most modern composer of the age, the supporter of the revolutionary ideals of 1789, 1830 and 1848, ended up writing music for an institution regarded as a bastion of everything conservative and reactionary, has led to a questioning of Liszt's motives. With the rapidly advancing secularization of culture, Liszt was seen as disillusioned, and his decision to take minor orders in 1865 was considered a startling about-turn for one so worldly. In fact, Liszt wrote sacred music with reform in mind. The dismal state of church music in the first half of the nineteenth century, when it was common to hear opera cabalettas sung to liturgical words, encouraged him to go back to plainsong and the music of Palestrina for inspiration. Composed in 1865, the year he took minor orders, the Missa Choralis embodies these twin elements. The influence of plainsong pervades the thematic material, albeit refocused through Liszt's boldly original and expressively chromatic harmonic language.