Horn Trios

This exciting debut album from Melbourne-based Quercus Trio explores the rich vein of Australian chamber music written for the gorgeous combination of violin, French horn and piano. Spanning forty years of creativity, it features two world-premiere recordings – Larry Sitsky’s Armenian-inspired Barerq and Gordon Kerry’s No Abiding City, a gentle meditation on the impermanence of things – along with important chamber works by Roger Smalley, Elena Kats-Chernin and Don Banks.

The renowned horn player Martin Owen is joined by the violinist Francesca Dego and pianist Alessandro Taverna in this varied and compelling programme. Mozart's Horn Quintet, KV 407 is one of the earliest examples of the horn in chamber music - although this partnership was embraced by Beethoven, Schubert, Brahms, and Schumann among many others. The Quintet is unusually scored for horn, violin, two violas, and cello, but the majority of the melodic interplay in the work occurs between the horn and the violin, so replacing the lower strings with piano works very well. Brahms's Horn Trio was the first major work for this instrumentation, and remains one of the finest in the repertoire.

The renowned horn player Martin Owen is joined by the violinist Francesca Dego and pianist Alessandro Taverna in this varied and compelling programme. Mozart's Horn Quintet, KV 407 is one of the earliest examples of the horn in chamber music - although this partnership was embraced by Beethoven, Schubert, Brahms, and Schumann among many others. The Quintet is unusually scored for horn, violin, two violas, and cello, but the majority of the melodic interplay in the work occurs between the horn and the violin, so replacing the lower strings with piano works very well. Brahms's Horn Trio was the first major work for this instrumentation, and remains one of the finest in the repertoire.

This performance of the Horn Trio Op 40 is my favorite of the moment. It is so lively and engaging that I had to give it my full attention on the first hearing; no multitasking while these musicians are playing. The trio and the Serenade Op 11 - the Serenade is the original nonet version - are emotionally charged, gritty (but not ugly at all) tangy and deeply satisfying. Well balanced recording and great sound.