Hubert Staller

In 19th century Dublin, Albert Nobbs, an eccentric man in the latter part of middle age, works as a waiter in Morrison's Hotel run by the stingy and controlling Marge Baker. Albert is hard working and saves his money so that one day he will be able to eke out a better life for himself by owning his own business rather than work at the hotel. Beyond his work colleagues, he is all alone in the world. One day, a man named Hubert Page is hired by Mrs. Baker to paint one of the rooms in the hotel. She forces Hubert to share Albert's bed for the one night he is required to stay to complete the work, much to Albert's horror. Hubert discovers the reason Albert did not want to share a room with him. But rather than the issue being a problem, Hubert shows Albert that he can follow a slightly different life path than the one he envisioned for himself - one closer to the life that Hubert leads with his wife Cathleen…

Employing shock techniques and sound design in a relentless sensory assault, Requiem for a Dream is about nothing less than the systematic destruction of hope. Based on the novel by Hubert Selby Jr., and adapted by Selby and director Darren Aronofsky, this is undoubtedly one of the most effective films ever made about the experience of drug addiction (both euphoric and nightmarish), and few would deny that Aronofsky, in following his breakthrough film Pi, has pushed the medium to a disturbing extreme, thrusting conventional narrative into a panic zone of traumatized psyches and bodies pushed to the furthest boundaries of chemical tolerance. It's too easy to call this a cautionary tale; it's a guided tour through hell, with Aronofsky as our bold and ruthless host.

When he was just twenty-nine years old, Mathieu Kassovitz took the international film world by storm with La Haine (Hate), a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically in the low-income banlieue districts on Paris’s outskirts. Aimlessly whiling away their days in the concrete environs of their dead-end suburbia, Vinz (Vincent Cassel), Hubert (Hubert Koundé), and Saïd (Saïd Taghmaoui) - a Jew, an African, and an Arab - give human faces to France’s immigrant populations, their bristling resentment at their social marginalization slowly simmering until they reach a climactic boiling point. A work of tough beauty, La Haine is a landmark of contemporary French cinema and a gripping reflection of its country’s ongoing identity crisis.

A Hubert Minel, che ha 16 anni, non piace sua madre. Ogni suo dettaglio lo irrita, per non parlare dei suoi ricatti, delle manipolazioni, dei sotterfugi compiuti ad arte per indurre in lui sensi di colpa e altri sentimenti sgradevoli. Confuso e ossessionato dall'ambivalenza dei suoi sentimenti - di giorno in giorno più forti - Hubert attraversa intanto le esperienze tipiche dell'adolescenza: scoperte artistiche, esperienze illecite, grandi amicizie, sesso.

Futurama is an animated American sci-fi sitcom created by Matt Groening, and developed by Groening and David X. Cohen for the Fox network. The series follows the adventures of a former New York pizza delivery boy, Philip J. Fry, after he is cryogenically frozen seconds after the start of the year 2000, and thawed out on New Year's Eve 2999.

Hubert Jacquin (André Dussollier) wollte eigentlich nur eine Putzfrau einstellen, sonst nichts. Doch stattdessen hat der alte Witwer auf einmal eine richtige Mitbewohnerin am Hals! Sich allein mit einem alten Tattergreis die Wohnung zu teilen ist allerdings nicht so ganz nach dem Geschmack der exzentrischen Manuela (Bérengère Krief).