Growing out of the festival in Holland of the same name, Boulevard of Broken Dreams is a retro big band reveling in tunes from and around The Great Depression - a time of broken dreams. These folks love this music. Besides the musicianship, how else can you explain these phenomena? Even though the songs are generally sad there is a level of fun energy running through the entire set.
Man Overboard (not to be confused with the American pop punk band of the same name) formed in January 2011. It's the brainchild of guitarist Jean Marie Fagon, who moved from Paris to the UK in 1980. Violinist Thomas Gould is classically trained—a heritage that's readily apparent on his intro to "I Found A New Baby." Clarinetist Ewan Bleach and singer Louisa Jones have worked together in a range of outfits from the folkier end of the spectrum including Whiskey Moon Face…
Canada s Sweetheart of Swing presents a unique blend of vintage 30s-era swing & jazz the new breed of neo-trad jazz stylists. Features guest vocalists Ron Sexsmith and Denzal Sinclaire. "It s time-travel magic whenever Alex Pangman breathes into a microphone and evokes the great jazz femmes of the 1920s, 30s, and 40s". In Alex's own words, "as a longtime devotee of music from the classic genre I find something of a kinship with the music that buoyed nations through the "dirty thirties"… The initial concept of this record was to honor that kind of spirit with songs popular in 1933, recorded while I was 33…
12-CD LP-sized box set. He might not have been the King Of Rock 'n' Roll but Pat Boone was certainly King Of The Hit Parade during the rock 'n' roll era. He sung ballads with a beat and up-tempo pop tunes such as I'll Be Home, Don't Forbid Me, Love Letters In The Sand, Why Baby Why and I Almost Lost My Mind. Hits like this kept him in the charts every week from 1955-1959! This boxed set contains Pat's rare 1953 Republic recordings and every single DOT recording made during the Fifties - over 320 tracks in total.
This 12-CD box set containing 347 songs – Pat Boone's entire 1950s recorded output, including over 80 previously unissued tracks – deserves an honest, open-minded, and thorough examination. Listeners may like or dislike Pat Boone's early R&B hits – "Two Hearts," "Ain't That a Shame," "Tutti Frutti," etc. – but it is important to remember that those songs comprise but a very small part of his 1950s recorded output and demonstrate one side only of his amazing versatility.
Ubiquity (1971). Roy Ayers' leap to the Polydor label inaugurates his music's evolution away from the more traditional jazz of his earlier Atlantic LPs toward the infectious, funk-inspired fusion that still divides critics and fans even decades after the fact. Although Ubiquity maintains one foot in Ayers' hard bop origins, the record favors soulful grooves and sun-kissed textures that flirt openly and unapologetically with commercial tastes. Several cuts feature the male/female vocals that would become a hallmark of subsequent Ubiquity efforts, while mid-tempo instrumentals like "Pretty Brown Skin" and "The Painted Desert" feature evocatively cinematic arrangements and intriguing solos that unfurl like psychedelic freak flags…