Avid Jazz here presents four classic Humphrey Lyttelton 10" albums plus, including original liner notes on a finely re-mastered double CD. “Jazz Concert”, “Jazz Session with Humph”, “Humph In Perspective”, “Here’s Humph!” and the plus, tracks from “Humph Swings Out”.
Our selections feature the great man across a diverse grouping of albums ranging from the transitional phase of “Here’s Humph!”, where we are treated to tracks from his old band, his revolutionary band featuring tenor sax and his current band of the moment! We then look back with Humph on “Humph In Perspective” where he reviews his musical achievements from his position as the pre eminent UK jazz man of the era and best known band leader in Europe…
The cover art of COMPACT JAZZ * BEST OF DIXIELAND is potentially misleading. Pictured are 78s and cylinders made in the pre-microphone acoustic recording era. Although some of the artists here, such as Louis Armstrong and Kid Ory, were in the studios in those pioneer days, none of their early work is to be found on this set. Rather, we have a collection of full range hi-fi or stereo tracks made for VERVE records in the years spanning 1955 to '61 (the exceptions being one side from 1964 and another made a decade later). A few of the classic New Orleans "locale" tunes appear ("Basin St. Blues," "Perdido St. Blues," "Canal St. Blues"), as well as perennial favorites ("Ballin' The Jack," "St. Louis Blues," "Hindustan"). For an opportunity to listen to the music being performed all around the Crescent City a half-century ago, VERVE's BEST OF DIXIELAND cannot be beat.
Dixieland, sometimes referred to as hot jazz or traditional jazz, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century.
British pop-jazz-blues crooner Elkie Brooks (born Elaine Bookbinder) dominated U.K. radio in the late '70s with a series of hit singles that established her as "the biggest-selling female album artist in the history of the British pop charts." The Manchester native, who grew up in an extremely musical family, left school at the age of 15 to join a dance band in London. She eventually mad the jump to radio, as well as numerous appearances with legendary jazz bandleader Humphrey Lyttelton, before embarking on a career in pop music. The early '60s saw the budding young singer releasing singles for Decca and EMI, as well as opening for everyone from Carl Perkins to the Beatles, but commercial success remained elusive.