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Although vintage British psychedelia is viewed by many these days as an Alice In Wonderland-style enchanted garden full of beatific flower children innocently gathering flowers or chasing butterflies, there was always a more visceral element to the scene. Pointedly free of such fripperies as scarlet tunic-wearing gnomes, phenomenal cats and talismanic bicycles, the power trio format that was popularised by the likes of Cream and the Jimi Hendrix Experience spawned a host of imitators. As the Sixties drew to a close and pop evolved slowly but inexorably into rock, psychedelia gave way to a sound that was harder, leaner, heavier, louder.

Although vintage British psychedelia is viewed by many these days as an Alice In Wonderland-style enchanted garden full of beatific flower children innocently gathering flowers or chasing butterflies, there was always a more visceral element to the scene. Pointedly free of such fripperies as scarlet tunic-wearing gnomes, phenomenal cats and talismanic bicycles, the power trio format that was popularised by the likes of Cream and the Jimi Hendrix Experience spawned a host of imitators. As the Sixties drew to a close and pop evolved slowly but inexorably into rock, psychedelia gave way to a sound that was harder, leaner, heavier, louder.

Although vintage British psychedelia is viewed by many these days as an Alice In Wonderland-style enchanted garden full of beatific flower children innocently gathering flowers or chasing butterflies, there was always a more visceral element to the scene. Pointedly free of such fripperies as scarlet tunic-wearing gnomes, phenomenal cats and talismanic bicycles, the power trio format that was popularised by the likes of Cream and the Jimi Hendrix Experience spawned a host of imitators. As the Sixties drew to a close and pop evolved slowly but inexorably into rock, psychedelia gave way to a sound that was harder, leaner, heavier, louder.