I'm The Red

An extensive 6CD box set devoted to one of the key innovators of the '60s psychedelic sound featuring their entire output, rarities and demos. Featuring the first CD issue of the mono mix of the 'Mass In F Minor', the collection also compiles the original dedicated mono 45 mixes, plus rare cuts, early demos, and extended takes, as well as the legendary live recording of the band captured in Stockholm during their European tour in late 1967, all lovingly remastered by Alec Palao. To complement these unique psychedelic sounds the box set includes a comprehensive history of the group by Gray Newell, featuring in-depth recollections from original vocalist James Lowe, and from key member of the later incarnation of the band, Richard Whetstone, making this the definitive Electric Prunes' collection.

In 1920 Ferdinand Ingold, a poor but visionary Swiss settler in the small Wisconsin town of Monroe, audaciously launched a record label, Helvetia—invoking his homeland’s ancient name and celebrating its musical heritage. Praised in the immigrant press yet beset by fiscal challenges, Helvetia issued a scant 36 sides. Scattered, scarce, and nearly forgotten, Ingold’s entire catalog, newly restored and remastered, is offered here. Rollicking and somber, sentimental and lusty, these Swiss, German, and Tyrolean tunes and songs feature virtuoso instrumental combos, vocal quartets, and especially yodelers from Swiss communities in New Jersey, Ohio, and Wisconsin. Illuminating one of the first American record labels established by an immigrant for his own community, Alpine Dreaming both recalls a bygone era and resonates with all who seek better New World lives while remembering their homelands. Produced in cooperation with the Mills Music Library and the Center for the Study of Upper Midwestern Cultures at the University of Wisconsin–Madison.

Initially coming together during a Fontana-era lull in The Pretty Things’ prodigious career, the band’s now-legendary body of work for music library de Wolfe as The Electric Banana saw their alter-egos become parallel universe superstars, their work utilised by film and TV producers in everything from soft-porn skin-flicks, a Norman Wisdom vehicle and horror classic Dawn Of The Dead to small-screen ratings winners like Dr. Who, The Sweeney and Minder.

Having played with The Servants in the late 1980s, Luke Haines carved a unique niche for himself in the 1990s with witty lyrics, wry humour and some stellar tunes with The Auteurs and other acts (Black Box Recorder, Baader Meinhof). By 1999, feeling aghast at the state of the Brit Rock scene in the UK, Luke decided to "start a righteous solo trip", having been commissioned to write the soundtrack for the film Christie Malry's Own Double Entry (2001). Sticking with Virgin Records, Luke then unveiled his first solo album proper, The Oliver Twist Manifesto, before fronting a new-look Auteurs for Das Capital. In due course, Luke switched labels to indie Fantastic Plastic for Off My Rocker At The Art School Bop (2006), followed in 2009 by 21st Century Man. Since then, he's curated a string of imaginative, amusing and always worthwhile albums for Cherry Red Records. Alive And Well… is the first-ever anthology of Luke's solo work, cherry-picking musical highlights from each of his long players as well as a smattering of B-sides, radio sessions, rarities and - on Disc 4 - a raft of previously unissued material. Alive And Well… is a very personal statement spanning the last two decades of the musical life of Luke Haines.