Magic Touch

With his amazing and versatile voice, and his equally as versatile harmonica skills, John Nemeth brings a lot of potential to the table in Magic Touch, his first nationally distributed album (Nemeth's earlier albums, 2002's The Jack of Harps and 2004's Come and Get It, were self released).
~ Steve Leggett, cduniverse.com

Tadd Dameron - The Magic Touch (1962) {Riverside OJCCD-143-2 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 276 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1962, 1992 Riverside / Fantasy | OJCCD-143-2
Jazz / Bop / Progressive Jazz

Tadd Dameron is known to proclaim that he became an arranger rather than stay an exclusive instrumentalist because it was the only way he could get his music played. In retrospect, considering his best-known works are widely revered, few of them are frequently played by other bands, and only the finest musicians are able to properly interpret them. Dameron's charts had an ebb and flow that superseded the basic approach of Count Basie, yet were never as quite complicated as Duke Ellington. Coming up in the bop movement, Dameron's music had to have been by definition holding broader artistic harmonics, while allowing for the individuality of his bandmembers.

This debut record from Stanley Jordan features the guitarist's extraordinarily idiosyncratic tapping technique on a variety of material. Jordan's revolutionary approach to the instrument, consisting of striking the fretboard with both hands to sound notes, allows him access to musical possibilities that are simply out of the reach of other guitar players. It is in his hands that the guitar attains a level of self-accompaniment formerly held only by the piano. Fortunately, Jordan puts his prodigious chops to good use making good music. One area in particular in which he is terrifically talented is in the reinterpretation of modern pop material.