When nu-rave kings Klaxons eventually decided to call it a day in 2014, following the lukewarm reception of actually-pretty-decent third LP ‘Love Frequency’ and a slightly baffling tour gimmick where they attempted to 3D print all their instruments, it was with the sense that the glitter-coated sonic explorers had faded away rather than burnt out. Formerly the torch bearers of their scene, the group had never fully managed the transition into Phase II and yet the world had moved forward around them regardless.