Ultra-Lounge is a series of compilation CDs released by Capitol Records, featuring music predominantly from the 1950s and 1960s in genres such as exotica, space age pop, mambo, television theme songs, and lounge. Many of the volumes have since been made available for purchase via digital download. Each CD featured detailed liner notes along with two related drink recipes, tips on how to serve drinks to guests, and often photographs of sculptures made out of bartender items and other objects.
This collection contains 349 songs recorded at 91 separate recording sessions between October 11, 1942 and March 23, 1961. Two-thirds of the selection on this 18-disc anthology have either been out out of print since the 1940s, or have never been released in any form. Cole's 1956 album, AFTER MIDNIGHT, is included here in its entirety, along with all of the trio's more familiar songs. Included in this set are 104 tracks previously unavailable on US LPs. Sixty-six of the tracks were previously unavailable anywhere. Fifty-six rare Capitol radio transcriptions appear commercially for the first time. Dozens of the tracks appear at the correct speed for the first time ever.
Any discussion of the Top 100 '90s Rock Albums will have to include some grunge, and this one is no different. A defining element of that decade, the genre (and the bands that rose to fame playing it) was given credit for revitalizing rock at a badly needed moment. That said, there's far more to the story. Our list of the Top 100 '90s Rock Albums, presented in chronological order, takes in the rich diversity of the period.
This is classic material. 4 CD's loaded with one song after another of magic guitar playing. The sound is terrific and Mary Ford adds great vocals to many of the cuts although there are also many instrumentals. The years covered here are from 1948 - 1957 and includes some portions of the Les Paul Radio Show with songs and dialogue between Les and Mary. In addition to being a guitar genius, Les Paul was also an inventor who developed a variety of techniques still used today (such as multi-tracking) and they are on display in this set of music. Wonderful music, great sound, terrific vocals. This is music made in a different era before rock took over the airwaves. There is nothing in your face about it and there is a 40's feel to the pop tunes but great music stands the test of time and this certainly qualifies. Highly recommended.
The Top 100 '60s Rock Albums represent the moment when popular music came of age. In the earliest part of the decade, bands were still regularly referencing earlier sounds and themes. By the middle, something powerful and distinct was happening, which is why the latter part of the '60s weighs so heavily on our list. A number of bands evolved alongside fast-emerging trends of blues rock, folk rock, psychedelia and hard rock, adding new complexities to the music even as the songs themselves became more topical. If there's a thread running through the Top 100 '60s Rock Albums and this period of intense change, it has to do with the forward-thinking artists who managed to echo and, in some cases, advance the zeitgeist. Along the way, legends were made.
The Top 100 '80s Rock Albums span a series of genres as startling and varied as the era's neon-flecked fashions.No one was immune to the early-decade emergence of new wave, from up-and-coming acts to legacy groups – many of whom began incorporating the then-new sound into their bedrock approach.Meanwhile, classic rock and subsequently metal began a transformation into mass acceptance when the edges were smoothed out to form arena rock and hair metal, respectively. The arrival of roots, thrash, and world music influences kept things interesting, along the way. All of it made selecting the period's best releases both intriguing and deeply challenging.Check out the list below, as Ultimate Classic Rock takes a chronological look at the Top 100 '80s Rock Albums.
Under the watchful eye of famed producer Michael Cuscuna, this nine-CD set serves as a compilation of Stitt's 1950s and 1960s Roost LPs. This release also features a 28-page booklet consisting of comprehensively annotated liners. Moreover, the record label does its best to convey the artistic element via a series of black-and-white photos of Stitt and his sidemen amid anecdotes by many of the late saxophonist's affiliates. Interestingly enough, seven of the original LPs did not list personnel. In some instances, guesses were made, although most of these tracks are well-documented, thanks to the producer's diligence and painstaking research. Artists such as drummer Roy Haynes, bassist/composer Charles Mingus, and pianist Harold Maber represent but a few of Stitt's accompanists.
Buck Owens turned Bakersfield, California into the epicenter of hip country music in the mid-'60s. All it took was a remarkable streak of number one singles that steam rolled right through Nashville with their electrified twang, forever changing the notion of what constituted country music and codifying the Bakersfield sound as hard-driving rhythms, trebly Telecasters, and lean arrangements suited for honky tonks, beer joints, and jukeboxes all across America. Half-a-century later, these remain sonic signifiers of Bakersfield, so the term no longer conveys a specific sound, place, and era, a situation the weighty Bear Family box The Bakersfield Sound: Country Music Capital of the West 1940-1974 intends to rectify.