I Live My Life (1935)

The Story Of Rock And Roll would not be complete without a heavy dose of Jerry Lee Lewis. Is there an early rock & roller who has a crazier reputation than the Killer, Jerry Lee Lewis? His exploits as a piano-thumping, egocentric wild man with an unquenchable thirst for living have become the fodder for numerous biographies, film documentaries, and a full-length Hollywood movie. Certainly few other artists came to the party with more ego and talent than he and lived to tell the tale. And certainly even fewer could successfully channel that energy into their music and prosper doing it as well as Jerry Lee.

Like each of the entries in the Classic blues catalog, The Essential Bill Gaither summarizes the artist's contribution to musical history by tapping into his complete works as reissued by Document in five volumes a few years prior to this collection's appearance in 2001. Gaither, whose recording career began in 1935 and was interrupted then ultimately terminated by the Second World War, operated under the combined influences of Leroy Carr, Tampa Red, Big Bill Broonzy, Jazz Gillum, Peetie Wheatstraw, and Big Maceo Merriweather. Most but not all of his records were made with Indianapolis pianist Honey Hill, and the producers of this collection were thoughtful enough to include Hill's only known piano solos, "Boogie Woogie" and "Set ‘Em"…

Barry McGuire has never deserved his "one hit wonder" status. The problem obviously is that his most memorable hit EVE OF DESTRUCTION so totally overwhelmed an unexpecting audience that it left listeners stunned. Although he had previously recorded several albums with The New Christy Minstrels, scoring a hit with GREEN, GREEN (featuring Barry McGuire), the world of 1965 was completely unprepared for the depth of emotion, both raw and plaintive, in EVE.