When You Might Be Surprised came out in 1985, Roy Ayers wasn't having as many hits as he had enjoyed in the late '70s. Ayers knew that if he didn't want to be accused of sounding dated, he needed to appeal to the urban contemporary tastes of 1985, so on this album he manages to update his approach without being untrue to himself. The production (some of it by James Mtume, some of it by Ayers himself) is high-tech and hip-hop influenced synthesizers and drum machines are prominent, and there are few horns and no strings. But Ayers still sounds distinctive on material that ranges from the clever single Programmed for Love and the funky Can I See You to the playful title song (a duet with singer Jean Carn).
See You Later is a album by the Greek electronic composer Vangelis, released in 1980. It breaks quite violently with the style he had employed in the late 1970s and later, relying much more on vocals and being more experimental and returning (in many respects) to his early 1970s work like Earth or 666. It was never released in the United States, and is one of his rarest albums.
One immediate distinction between these vocal sides and those recorded earlier in the decade for Pacific Jazz is the lissome quality of Baker's playing and, most notably, his increased capacity as a vocalist. The brilliant song selection certainly doesn't hurt either. This is an essential title in Chet Baker's 30-plus year canon