I Flipping Love You

Challenge yourself and learn acrobatic skills like Kicks, Flips & Twists from the beginning on in this Tricking course.

On Modern Lore, Julian Lage’s second studio recording with his trio, the composer and guitarist focuses on the groove, building his melodies and solos around the work of the prodigious rhythm section of double bassist Scott Colley and drummer Kenny Wollesen. Modern Lore finds Lage playfully flipping the script he followed on his acclaimed 2016 Mack Avenue debut, Arclight.

It is hard to know, upon again experiencing a sweet and long lost pleasure of youth, how much of our delight is caught in the lure of nostalgia, and what is genuinely spectacular about the artist that caused one to keep the flames of affectionate memory burning protectively throughout these so many years. With Lana, I have no doubts that it is the latter. She was always an extraordinary chanteuse, with exquisite taste in choosing the finest lyrics, arrangements, and high thoughts. Even minor musical works, once blessed and anointed by the talents of Ms. Cantrell, got the magic, and became bigger than life gems in the expansive universe of her heavenly repertoire, and fast favorites with her fanatical following.

Nell Marie McKay (born April 13, 1982) is a British-American singer-songwriter, actress, and former stand-up comedian, noted for her critically acclaimed albums, and for her Broadway debut in The Threepenny Opera (2006). Her music has showcased different genres, from jazz to rap and disco to funk.

On his eighth album, the singer-songwriter connects his gentle, acerbic soul to his most politically charged, well-stated, and funniest songs. On the very first song on his very first record, Cass McCombs went to the hospital. There he received some troubling test results and found himself faced with an unanswerable question. “Is it dying that terrifies you,” he sang, in a gentle, boyish sigh that would earn him plenty of comparisons to Elliott Smith, “Or just being dead?” It was a heavy introduction, but, in its plainspoken intensity, it foretold the work to come. As McCombs’ music progressed from murky lo-fi to austere folk-rock, his on-record persona has evolved with it, becoming at once more fleshed-out and more mysterious. He’s in a strange position now of being a veteran songwriter who we’re just getting to know.

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On her sophomore LP, The Best of Luck Club, 26-year-old Alex Lahey navigates the pangs of generational ennui with the pint half-full and a spot cleared on the bar stool next to her. Self-doubt, burn out, break-ups, mental health, moving in with her girlfriend, vibrators: The Best of Luck Club showcases the universal language of Lahey’s sharp songwriting, her propensity for taking the minute details of the personal and flipping it public through anthemic pop-punk.

On her sophomore LP, The Best of Luck Club, 26-year-old Melbourne, Australia native Alex Lahey navigates the pangs of generational ennui with the pint half-full and a spot cleared on the bar stool next to her. Self-doubt, burn out, break-ups, mental health, moving in with her girlfriend, vibrators: The Best of Luck Club showcases the universal language of Lahey's sharp songwriting, her propensity for taking the minute details of the personal and flipping it public through anthemic pop-punk. Lahey's 2017 debut I Love You Like a Brother encases Lahey's knack for writing a killer hook and her acute sense of humor delivered via a slacker-rock package and, in a way, The Best of Luck Club picks up where that record left off.

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