I Hope This Reaches You in Time

There's a bittersweet beauty to the passing of time – the changes it brings are just as often heartbreaking as they are heartwarming. The inevitable tension that arises from that sway is Gretchen Peters' most trusted muse. “The years go by like days. Sometimes the days go by like years. And I don't know which one I hate the most,” she sings in “Arguing with Ghosts,” the hauntingly wistful opening cut on her new album, Dancing with the Beast.

When the shared reservoir of our humanity reaches its newest low point, can looking back aid us? Can remembrance help us manifest the desire to go on? Looking is the first thing I remember. I wouldn’t say I was studying it, but I held it in my hands and turned it over and over and over. I’m sure I held it when I was outside sitting in the cracked back patio, and though there aren’t any pictures, I probably had it at my 5th birthday, all smiles at the Darth Vader cake my mother made for me. I carried it until it was smoothed over, made smaller and smaller as it passed between my hands.

What difference does it make for music whether it is composed or improvised? What difference does it make for a narrative whether it is performed orally or recorded in writing? Markus Stockhausen's quartet album "Tales" suggests such questions and provides more than one answer. Music exists virtually on recordings, in scores, in repertoires and traditions. But it is only real when it is heard and experienced together with listeners.

Originally forming as Pilate in the early 2000s, the Toronto-based rock quartet Pilot Speed changed their name to such in mid-2006 to avoid possible lawsuits as their music spread internationally from their native Canada, especially due to the "litigious nature of the United States" (as taken from a message on the band's website). Pilate were born in 2000 after vocalist and New Zealand native Todd Clark left the music program at the University of Western Ontario where he'd been studying and placed an ad online for potential bandmates. Bassist Ruby Bumrah, a graduate of the Ontario College of Art and Design, answered the call, bringing with him fellow alums Chris Greenough (guitar) and Bill Keeley (drums). Citing influences like Crowded House, Radiohead, and U2 for Pilate's especially sweeping brand of melodic rock – not so dissimilar to acts like Keane, Coldplay, and Snow Patrol – they released the six-song EP For All That's Given, Wasted in the summer of 2001. It quickly sold out its initial pressing and established the guys as players in the Canadian music scene.