I Love America 2022

Berlin-based violinist Daniel Hope’s latest album takes a deep dive into the rich repertoire of American music, exploring its roots and distinctive qualities. “We know a piece is from America the moment we hear it,” says Hope. “But what makes music sound American?” America provides some answers, presenting works by composers as diverse as Leonard Bernstein, Sam Cooke, Aaron Copland, George Gershwin and Florence Price in outstanding new classical and jazz arrangements by Paul Bateman for solo violin in different combinations, with vocals, piano, jazz trio, string/chamber orchestra and percussion.

This is exuberant music-making with real life to it. Whoever is responsible for the feeling of spontaneity, it embraces every performance, and the shifting colors from one selection to the next insures enough variety. First-rate side musicians come and go, and vocalist Joy Denalane embodies an iconic blues singer in Sam Cooke’s plaintive “A Change Is Gonna Come.”

Much Latin American music occupies a unique space between popular and "classical," rarely going to either extreme. On this recital of Latin American works mostly arranged for cello and piano (or guitar), the most formal work is the Sonata for cello and piano in G minor of Manuel Ponce, who also wrote the pop classic Estrellita, which is also included. It is mostly players from the region who record this music, but Louisianan John-Henry Crawford delivers a fine sense of enthusiasm at meeting the tradition for the first time.