I Must be Dreaming

Girls Will Be Girls, Vol. 1 is for collectors whose interest in 1960s girl groups has taken them beyond hits into the realm of demos, obscurities, and previously unreleased material. The recordings, made between 1962-1966, are drawn from a number of labels such as Colpix, Dimension, Roulette, Jubilee, and DynoVoice….

Digitally remastered box of Cole's complete recordings for Capitol Records from 1955-1959. The 11CDs with 293 tracks for over 800 minutes of music include a combination of Cole's most famous and most obscure work. The set includes all the material for no less than 16 classic Nat King Cole albums: The two piano-centric albums of 1955-'56: "The Piano Style" (with Nelson Riddle) and "After Midnight" (with Harry "Sweets" Edison, Juan Tizol, Willie and Stuff Smith) as well as the "bonus session" for "Penthouse Serenade"…

By 1985, Mink DeVille had long run its course as any sort of collaborative band and was merely a convenient name for a loose amalgam of musicians hired as either studio or touring outfits to back vocalist and songwriter Willy DeVille.[~ Thom Jurek , All Music Guide]

US R&B/rock & roll band (1974-1986) fronted by Willy DeVille. Passed away august 6 2009 .Though starting out in San Francisco playing gay leatherbars as "Billy de Sade and the Marquis" (Billy being Billy Borsey, Willy DeVille's original name), the band changed its name To Mink DeVille (and Borsey became Willy DeVille) in 1975 and became one of the housebands in the famous NY club CBGB. CBGB was the epicenter of NY punk - and other house bands such as Blondie, Television and Talking Heads got Mink DeVille categorized as part of the punk/new Wave underground to which they never belonged musically…

Released back when there was always two sides to every audio story (i.e., side one and side two), Giuffria's second offering houses an interesting concept: polarizing the huffy from the heavy. This is hardly a revolutionary idea, as such was the common format of most AOR at the time, and perhaps for the sake of balance some silk slips into the steel and vice versa, so the record ultimately ends up heavy on the light. The titular titan's bombastic keyboards float like angel feathers amongst David Glen Eisley's lung-busting vocals (Eisley even scats with axeman Lanny Cordola right out of the gate on "No Escape")…

Released back when there was always two sides to every audio story (i.e., side one and side two), Giuffria's second offering houses an interesting concept: polarizing the huffy from the heavy. This is hardly a revolutionary idea, as such was the common format of most AOR at the time, and perhaps for the sake of balance some silk slips into the steel and vice versa, so the record ultimately ends up heavy on the light. The titular titan's bombastic keyboards float like angel feathers amongst David Glen Eisley's lung-busting vocals (Eisley even scats with axeman Lanny Cordola right out of the gate on "No Escape")…

Silk and Steel was the second album released by 1980s arena rock band Giuffria in 1986. It was produced by Pat Glasser, who was at the time also the producer of Giuffria's MCA labelmates Night Ranger. The band covered "I Must Be Dreaming", a Willy DeVille song that went to No. 52 on the Billboard Hot 100. The record's peak position on The Billboard 200 was No. 60 on June 21, 1986.