This is the soundtrack album for Craig Gillespie’s film biography, of infamous Olympic figure skater Tonya Harding (Margot Robbie). Since most of the film takes place in the early 1990s, the soundtrack for the movie, I, Tonya, is largely made up of music from that time period. You can find here songs from Bad Company, Supertramp, Chris Stills, Fleetwood Mac, etc.
Maurice Jarre wrote the central musical motif of his score for Doctor Zhivago, "Lara's Theme," in a few minutes in a hotel, amid a frantic five-week rush to score the 197-minute movie. That theme made the Doctor Zhivago soundtrack album one of the biggest selling soundtrack of the 1960s, a considerable feat when one reckons in the competition from A Hard Day's Night, Never on Sunday, A Man and a Woman, Exodus, and 2001: A Space Odyssey. The rest of Jarre's score is more in the realm of lushly textured Russian-themed mood music, filled with dark male choruses, folk and folk-like themes, and dense orchestrations, sort of faux-Tchaikovsky. The stereo separation is used to good effect, and the music as a whole forms a kind of romantic/exotic travelogue as much as a dramatic sketch of the movie's action.
There's little question that A Day in the Life of Todd Terry is one of the best albums of Terry's pioneering house ever released – it leads off with two of his best-known tracks, "A Day in the Life" and "I Hear the Music." And the rest of this compilation just reinforces his status as one of the best house producers of all time, from the uplifting vibes of "Clear Away the Past" and the tribal headrush of "Jungle Hot" to smoother tracks like "Teela's Theme".
Hitovi 1 (Zabavna), Hitovi 2 (Balade), Hitovi 3 (Pop), Hitovi 4 (Festa), Hitovi 5 (Dalmacija),
Gold collection CD 1, Gold collection CD 2
This Mess is a Place, Tacocat’s fourth full-length and first on Sub Pop, finds the band waking up the morning after the 2016 election and figuring out how to respond to a new reality where evil isn’t hiding under the surface at all—it’s front and center, with new tragedies and civil rights assaults filling up the scroll of the newsfeed every day. “What a time to be barely alive,” laments “Crystal Ball,” a gem that examines the more intimate side of responding emotionally to the news cycle. How do you keep fighting when all you want to do is stay in bed all day? “Stupid computer stupor/Oh my kingdom for some better ads,” Nokes sings, throwing in some classic Tacocat snark, “Truth spread so thin/It stops existing.”