I. Binder

The line between sincere appreciation and blind imitation is a thin one, and too often contemporary blues or country musicians cross it when covering classic songs. Roy Book Binder avoids the problem by refusing to become overwhelmed by idolatry, and instead enjoying himself while doing vintage material. That was evident on the 12 songs that comprised this session. While Book Binder's convivial vocals made his versions of Jesse Thomas' "Friend Like Me," Merle Haggard's "Nobody Knows I'm Hurtin," or Jimmie Rodgers' "Waiting for a Train" appealing, his guitar solos and band interaction gave the songs a vital, modern kick.

The production and video direction are by British film-maker Ken Russell who puts his own stamp on the production. Russell told an interviewer he felt the plot was "silly" so he turned Marguerite into a young nun, eliminated the Walpurgis Night ballet, had Marguerite use sign-language for Valentin's deaf-mute children, and had Mephistopheles disrespectfully urinating in the stoup in church. However, the overall effect is visually engrossing, the vivid sets and costumes by Karl Toms are effective. And the singing is outstanding.

These attractive Classical works are played on a reconstructed cello-like instrument with five strings and twelve sympathetic strings which produces a silvery, delicate sound somewhat like the baryton.