I.r.s. Records

Fine Young Cannibals is the 1985 debut album by British rockers the Fine Young Cannibals. This was released on compact disc in 1986 by I.R.S. Records via A&M Records via no one else at the time.

Irish Tour '74 is a 1974 album by Irish guitarist/singer Rory Gallagher. This is the 1988 CD pressing released by Capo/I.R.S. Records and is unremastered.

Document is the fifth studio album by the American alternative rock band R.E.M. It was released in 1987 a few months after their rarities collection Dead Letter Office appeared and is the last album of new material by the band released on the I.R.S. Records label. It is the first album on which the band worked with producer Scott Litt.

Not much is known about Philadelphia record producer / label owner Curtis R. Staten who sporadically operated the C.R.S. record label during the late 1960s throughout the early 1980s. During that time, C.R.S. released at least 15 singles and 2 albums of some of the finest R&B, funk, gospel recordings from the Philadephia area.Fans of Northern Soul and Deepfunk will be pleased to see (and hear!) some very rare but amazing songs by such artists as George Johnson Jr. & The Mondells, Bonnie Blanchard, Andy Aaron & The Mean Machine, The Zodiacs, Midnight Madness, Carl 'Sherlock' Holmes, and many more.

Eponymous is the first greatest hits and the second compilation album by American alternative rock band R.E.M., released in 1988. It was their last authorized release on I.R.S. Records, to whom they had been contracted since 1982, having just signed with Warner Bros. Records. Eponymous is notable for its inclusion of several rare or alternative versions of known tracks, most notably the soundtrack contribution "Romance", which had not previously appeared on an R.E.M. record. Spanning from the initial single release of "Radio Free Europe" to the previous year's breakthrough hit album Document, Eponymous provides a fair overview of R.E.M.'s early work. Released in October 1988, just a month before R.E.M.'s Warner Bros. debut Green appeared, Eponymous reached #44 in the US and #69 in the UK.

Murmur is the debut studio album by the American alternative rock band R.E.M., released in 1983 on I.R.S. Records. Murmur drew critical acclaim upon its release for its unusual sound, defined by singer Michael Stipe's cryptic lyrics, guitarist Peter Buck's jangly guitar style, and bassist Mike Mills' melodic basslines. Murmur was released in April 1983. The record reached number 36 on the Billboard album chart. A re-recorded version of "Radio Free Europe" was the album's lead single and reached number 78 on the Billboard singles chart that year. Murmur was certified gold by the Recording Industry Association of America in 1991. The album drew substantial critical acclaim. Rolling Stone gave the album four out of five stars. In 1989, it was rated number eight on Rolling Stone magazine's list of the 100 greatest albums of the 1980s. In 2003, the TV network VH1 named Murmur the 92nd greatest album of all time.

"Finest Worksong" is the third and final single released from R.E.M.'s fifth studio album Document. It peaked at number 50 on the UK Singles Chart in April 1988, at the time the group's highest-charting single in the UK. The single version of the song (also known as Mutual Drum Horn mix), featuring a new horn section by The Uptown Horns, was placed on R.E.M.'s I.R.S. Records compilation Eponymous. This was the last original single the band released on I.R.S. Records.

Fables of the Reconstruction (or Reconstruction of the Fables) is the third studio album by American alternative rock band R.E.M. It was released on June 10, 1985, through I.R.S. Records. It was the band's first album recorded outside of the U.S., with sessions taking place at Livingston Studios in London with producer Joe Boyd. The record displays a darker, murkier sound and lyrics drawing from Southern Gothic themes and characters. Additionally, more varied instrumentation is utilized, including string and brass arrangements and banjo. Critical reception to Fables of the Reconstruction was positive, with many reviews noting its folk elements and murky tone. Retrospectively, it has also been viewed as a transitional album, retaining the sound and obscure themes of the band's early work while hinting at the experimentation with acoustic instrumentation that would be present on their later albums.

Fables of the Reconstruction (or Reconstruction of the Fables) is the third studio album by American alternative rock band R.E.M. It was released on June 10, 1985, through I.R.S. Records. It was the band's first album recorded outside of the U.S., with sessions taking place at Livingston Studios in London with producer Joe Boyd. The record displays a darker, murkier sound and lyrics drawing from Southern Gothic themes and characters. Additionally, more varied instrumentation is utilized, including string and brass arrangements and banjo. Critical reception to Fables of the Reconstruction was positive, with many reviews noting its folk elements and murky tone. Retrospectively, it has also been viewed as a transitional album, retaining the sound and obscure themes of the band's early work while hinting at the experimentation with acoustic instrumentation that would be present on their later albums.