Joe's Garage was originally released in 1979 in two separate parts; Act I came first, followed by a two-record set containing Acts II & III. Joe's Garage is generally regarded as one of Zappa's finest post-'60s conceptual works, a sprawling, satirical rock opera about a totalitarian future in which music is outlawed to control the population. The narrative is long, winding, and occasionally loses focus; it was improvised in a weekend, some of it around previously existing songs, but Zappa manages to make most of it hang together. Acts II & III give off much the same feel, as Zappa relies heavily on what he termed "xenochrony" - previously recorded guitar solos transferred onto new, rhythmically different backing tracks to produce random musical coincidences…
From Melodic Drumming and the Ostinato Vol. III. Recorded April 1993 at Rave Video, Burbank, CA. Virtuoso drummer Terry John Bozzio was born on December 27, 1950 to Italian-American parents in San Francisco, California. Terry started playing the drums on makeshift sets at age six. Inspired by the Beatles' famous appearance on "The Ed Sullivan Show," Bozzio begged his father for drum lessons at age thirteen. He played in the 60s garage rock bands Blue Glass Radio, The Yarde, and Tamalpaias Mountain Boys.
The widely collected bootleg of early sessions is finally released officially. Apparently, the Stone Roses are appalled and didn't sanction this, which accounts for the lack of notes about these recordings. If various old sources are correct, the tracks are from demos they set down in 1985, probably with late producer/legend Martin Hannett, who produced their debut single.
Picking up in 1965 where Past Masters, Vol. 1 left off, Past Masters, Vol. 2 collects the 15 non-LP tracks that the Beatles released in the last five years of their career (not counting the singles that were released on Magical Mystery Tour). If Vol. 2 is more eclectic than its predecessor, it isn't quite as thematically consistent, but it does hit greater highs with a greater frequency…
Joe's Garage was originally released in 1979 in two separate parts; Act I came first, followed by a two-record set containing Acts II & III. Rykodisc's reissue puts all three acts together on two CDs. Joe's Garage is generally regarded as one of Zappa's finest post-'60s conceptual works, a sprawling, satirical rock opera about a totalitarian future in which music is outlawed to control the population. The narrative is long, winding, and occasionally loses focus; it was improvised in a weekend, some of it around previously existing songs, but Zappa manages to make most of it hang together.
Joe's Garage was originally released in 1979 in two separate parts; Act I came first, followed by a two-record set containing Acts II & III. Rykodisc's reissue puts all three acts together on two CDs. Joe's Garage is generally regarded as one of Zappa's finest post-'60s conceptual works, a sprawling, satirical rock opera about a totalitarian future in which music is outlawed to control the population. The narrative is long, winding, and occasionally loses focus; it was improvised in a weekend, some of it around previously existing songs, but Zappa manages to make most of it hang together.
Vaultmeisterment & Analog Transfers by Joe Travers, March 2012, UMRK. Mastered from the original analog master by Doug Sax, 2012. Two thirds through the first CD of Joe's Garage. This title has always sounded good, but this one really has some snap to it. Sweet. More to come. I never cared for the CD versions at all; the deep, rich ‘Philly Soul’ mix that I loved on my vinyl copy was obliterated on the CD. Yes, it was brighter and crisper, but it left me cold and underwhelmed and continued to enjoy my vinyl JG. In my opinion, the 2012 master restores the sound quality to the original release. Vinnie’s drums now sound the way I remember, and the cymbals and other high end information are placed in proper perspective. Comparing the new release to my vinyl and a 24/96 vinyl rip, it sounds to me like they really captured the sound of the original. This is an essential upgrade for me.
It all began during a snowy Christmas in 1999: saxophonist Jonas Knutsson met up for the first time with guitarist Johan Norberg to do some spontaneous recording sessions at Norberg’s flat, and got carried away during several hours of playing. They reached such a level of mutual understanding that the recordings were passed between friends of the two Swedish musicians for the next few years. Then Knutsson and Norberg listened again to the recordings - and decided to go to a proper studio. The result is a CD which both moves between and merges jazz and Swedish folk elements: "Norrland". The nature of the deep understanding between two musicians: thus "Norrland" can be described. Knutsson and Norberg cultivate the fine shadings, and a sensitive dialogue. They create floating, but in some ways plausible, sounds: tender, but never harmless musical images of the landscape…