IT Cambridge

Several generations of Bachs have been gathered by Richard Marlow and the Choir of Trinity College, Cambridge for their programme of motets. All of them have been recorded at various times in the past but many only infrequently, and one or two, perhaps, now make their first appearance on CD. There is no dull music here and two of the pieces, at least, are of outstanding expressive beauty. The earlier of these is Johann Bach’s profoundly affecting Unser Leben ist ein Schatten (“Our life is but a shadow”). This member of the clan survived both the Black Death and the savage bombardment of Erfurt during the Thirty Years War.

John Rutter’s glorious stream of Christmas miniatures has made him, for many, an essential ingredient in the festive season. The composer and conductor wrote what is probably his most popular piece, “Shepherd’s Pipe Carol,” while still an 18-year-old undergraduate at Cambridge—and he has never looked back. “Once I started writing carols, somehow it seemed difficult to stop,” Rutter tells Apple Music. “I’ve been doing it ever since.” Realizing that he had a “backlog” of them led him to I Sing of a Maiden, an EP of five new pieces recorded in July 2021. “I’m asked, ‘Do you still enjoy Christmas?’ And actually, I sincerely do,” says Rutter. “Christmas carols are a resilient form of art—folk art, as I’ve often suggested—that have attracted some extraordinarily fine composers. They were adding their little tile to a centuries-old mosaic of devotion, praise, joy, prayer, and celebration. It all makes up that extraordinary season of the year that we call Christmas.”

Decca's 2015 limited-edition box set of the complete Argo recordings of the King's College Choir of Cambridge, directed by David Willcocks, consists of 29 CDs spanning the period from 1957 to 1973. The albums, presented with their original jacket art, offer some of the choir's finest performances, which include three recordings of the Festival of Nine Lessons and Carols (1954, 1958, 1964), anthems by Gibbons, Blow, and Handel, masses by Byrd, Taverner, Haydn, Tye, and Blow, and other great choral works by Bach, Allegri, Palestrina, Tallis, Vivaldi, Howells, and Vaughan Williams. The choir is world famous for its purity of tone and beautiful blend, and under Willcocks' masterly direction it became the exemplar of British choral singing, unmatched by any other ensemble of men and boys.

Exciting accounts of eight anthems spanning nearly two hundred years, with a welcome emphasis firmly on recent works.