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Aladdin’s story, taken from the Arabian One Thousand and One Nights, has been told many times and in many different ways. This operatic version by the Danish composer, Christian Frederik Emil Horneman, dates from the turn of the 19th to the 20th century and has the lush harmonies and flowing melodies you might expect from a piece of its time. Horneman (1840-1906) adds new luster to the old fairy tale about Aladdin and Princess Gulnare as they escape the forces of nocturnal magic and pursue happiness. Horneman employs motives which are tied to elements in the story, such as the Genie of the Ring which is characterized by a peculiar "mystic" harmony. Even if the opera’s subject has a certain Eastern coloring, Horneman only applies it occasionally to his music. This album presents the first complete recording of Horneman’s life’s work.

Aladdin’s story, taken from the Arabian One Thousand and One Nights, has been told many times and in many different ways. This operatic version by the Danish composer, Christian Frederik Emil Horneman, dates from the turn of the 19th to the 20th century and has the lush harmonies and flowing melodies you might expect from a piece of its time. Horneman (1840-1906) adds new luster to the old fairy tale about Aladdin and Princess Gulnare as they escape the forces of nocturnal magic and pursue happiness. Horneman employs motives which are tied to elements in the story, such as the Genie of the Ring which is characterized by a peculiar "mystic" harmony. Even if the opera’s subject has a certain Eastern coloring, Horneman only applies it occasionally to his music. This album presents the first complete recording of Horneman’s life’s work.

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The English translation of Allt Är Intet is “All Is Nothingness” – an apt enough title for a band already possessed of the scorched earth sonic tendencies and nihilist-leaning name of The End. Yet there’s some ambiguity to that philosophy; the most bleak and despairing interpretation can be countered by a more all-embracing, one-with-the-universe meditativeness.

As nervy as it is hilarious, this screwball masterpiece from Ernst Lubitsch stars Jack Benny and, in her final screen appearance, Carole Lombard as husband-and-wife thespians in Nazi-occupied Warsaw who become caught up in a dangerous spy plot. To Be or Not to Be is a Hollywood film of the boldest black humor, which went into production soon after the U.S. entered World War II. Lubitsch manages to brilliantly balance political satire, romance, slapstick, and urgent wartime suspense in a comic high-wire act that has never been equaled.