Coming off the surprise new studio album Somewhere to Elsewhere in 2000 Kansas seemed to have a bit of a resurgence in popularity, with an increased tour schedule that hasn't let up yet, and a rapid-fire series of reengineered back-catalog albums, compilations, and reissued live releases. In the summer of 2002 the band auctioned off several hundred premium tickets for this concert at Earthlink Live in Atlanta, and drummer Phil Ehart realized a long-time desire to record a full-length concert of the band in a small-venue setting. The result was the two-disc "Device - Voice - Drum", released with little fanfare by Compendium Music Group…
Yngwie Johan Malmsteen (born Lars Johan Yngve Lannerbäck, 30 June 1963) is a Swedish guitarist, songwriter, composer, and bandleader. Malmsteen first became known in the 1980s for his neoclassical playing style in heavy metal, and has released 21 studio albums in a career spanning over 40 years. In 2009, Time magazine rated Malmsteen as number 9 among the 11 greatest electric guitar players of all time.
Sail On: The 30th Anniversary Collection 1974-2004 is certainly the most lovingly crafted of the many Kansas retrospectives. Featuring 27 album cuts that range from classic FM hits like "Dust in the Wind" and "Point of No Return" to fan favorites such as "Song for America," and a 16-track DVD that collects numerous television appearances, videos, and live recordings, Sail On seems to be the definitive tome of the Midwest art rock band's very existence…
Noise in Your Head is a new five-disc box set that brings together Toyah Willcox‘s three albums as ‘The Humans’ and presents them to a wider audience with a raft of bonus material.
Kansas' third album, Masque, is a lyrically dark effort courtesy of guitarist/keyboardist Kerry Livgren's brooding songwriting. Musically, Masque foreshadows the tight melodies and instrumental interplay on the next two albums, Leftoverture and Point of Know Return, which together serve as the peak of Kansas' vision. The band deserves more respect than it gets for incorporating British hard rock and progressive rock to become the only U.S. progressive rock band of note during the genre's 1970s heyday. Robbie Steinhardt's violin work certainly helped give Kansas a distinctive sound. The liner notes indicate Masque is a "concept album" thanks to the title's definition: "A disguise of reality created through a theatrical or musical performance." Vocalist/keyboardist Steve Walsh's "It Takes a Woman's Love (To Make a Man)" is the leadoff track, and it's atypical of the rest of the album. The song is a fairly basic yet groovy pop/rock tune about musicians' loneliness on the road, but it is spiced up with some saxophone lines.