Ich Will Dich)

The fifth volume of our complete recording of Bach’s cantatas completes the series of secular cantatas from the composer’s years in Leipzig. Seven works are involved here, spanning a period from 1725 to 1742, the year of Bach’s final secular cantata, BWV 212. Of Bach’s occasional compositions, some fifty secular pieces have survived, yet these represent no more than a fraction of what must once have existed. Indeed, there is no other group of works by the composer that has suffered such great – and regrettable – losses. In the case of more than half of the works that are known to have existed, only the words, but not the music, survived. Quite how many pieces may have disappeared without leaving any trace whatsoever is impossible to say.

:wumpscut: - Liquid Soylent (2CD)
Dark-Electro / EBM | 2002 | EAC | APE | Tracks + Cue | 872 MB

:WUMPSCUT: is an electro-industrial project from Germany. It was founded in May of 1991 by Bavarian disc jockey Rudy Ratzinger (born June 3, 1966). Ratzinger has always been the main creative force behind :wumpscut:, occasionally employing the help of others as guest artists. Ratzinger cites the influence of such bands as Leæther Strip as his reason for making the transfer from DJing to recording music. The release of the song “Soylent Green”, which is named after the 1973 movie and also contains audio samples from the German dubbed version, first attracted attention to :wumpscut:. Since its release in 1993, it has become a frequently played song at events and clubs in the gothic and industrial subcultures and its associated splinter groups, both in Germany and the United States. So far Ratzinger has published numerous recordings and remixes for other artists. :wumpscut: is also very well known for elaborate box set releases including limited versions of a CD or LP release in a box with additional and often also limited bonus material (bonus tracks, “liquid soylent” energy drinks, posters, pins, stickers, bags, flags, etc.). :Wumpscut: albums are reissued regularly with variant artworks and occasionally bonus tracks. Standalone merchandise is also available such as caps, mugs, etc.

This spectacular set features a quintessential selection of western sacred music that that will please one and all, from an inquisitive novice to a discerning connoisseur.
It features a vast array of critically acclaimed recordings of more than seventy cornerstone works, ranging from the earliest Christian chants to gospel songs and Gershwin's blues.

Karat is a German rock band, founded in 1975 in East Berlin, then part of the German Democratic Republic, or East Germany. Karat also gained a strong following in West Germany when its 1982 album Der blaue Planet (The Blue Planet) was one of the year's top sellers in both East and West Germany, making Karat one of the more prominent bands in German-language rock music.
"Ich Liebe Jede Stunde" - 14CD Box set containing all released albums remastered and a CD of rarities.

Christmas Oratorio is topical, it’s also universal. It doesn’t require lights or tinsel or presents under the tree to instruct, inspire, and/or entertain, especially if it is presented in as fine a performance as this one fashioned by Stephen Layton and his cohort. Layton is the director of music at Trinity College, Cambridge (having succeeded Richard Marlow), and his choir is top-notch, as is the Orchestra of the Age of Enlightenment, mercifully identified as OAE. OAE’s roster is rife with such familiar names from the period instruments movement as Margaret Faultless (who is just that here) and Alison Bury. To mention Anthony Robson, oboe, and David Blackadder, trumpet, is not to slight any of the other players.