Identity Thief

Arthur Hamilton (John Randolph) is a listless Manhattan businessman who lives with his wife in the New York suburbs. One day, he runs into an old friend (Murray Hamilton) whom he thought had died. The friend leads him to The Company, a secretive operation run by The Old Man (Will Geer). The Company is a high-tech service which, for a price, provides older men with plastic surgery, a beefed-up body, and a fresh start in life. To cover the "disappearance," a middle-aged male cadaver is "killed" in a hotel fire. Hamilton submits to the operation that will turn him into a "Second," and when the bandages are removed, he's shed twenty years, renamed Tony Wilson and portrayed by Rock Hudson……

Jia's accutely observed debut feature follows the exploits of a petty thief, Xiao Wu, who operates as a pickpocket in a ramshackle provincial town. But in a rapidly changing China, Xiao wu finds he is out of step with the times and his inability to adapt marks the beginning of his downfall.

In his late, color masterpiece Kagemusha, Akira Kurosawa returned to the samurai film and to a primary theme of his career—the play between illusion and reality. Sumptuously reconstructing the splendor of feudal Japan and the pageantry of war, Kurosawa creates a historical epic that is also a meditation on the nature of power.

American architect Stourley Kracklite (Brian Dennehy) comes with his young wife Louisa (Chloe Webb) to Rome to supervise an exhibition devoted to Etienne-Louis Boullée, a French architect of the 18th century. Suffering from severe abdominal pains, Stourley doesn't pay much attention to his pregnant wife, and she finds consolation in the arms of suave Caspasian Speckler (Lambert Wilson). Built from rigidly symmetrical images, the film has quite an unusual subject: the belly – both the sick one of the architect and the pregnant one of his wife, the rounded forms alluding to the spherical constructions designed by Boullée, the architect whose visionary projects seldom materialized. Beautifully shot on location in Rome, this ironic fable wittily examines the issues of artistic creativity.

Lucas Hood (Antony Starr), an ex-con and master thief assumes the identity of a murdered sheriff where he continues his criminal activities. His past seems to haunt him by those he betrayed years earlier. This ex-con imposes his own brand of justice where violence erupts at every turn in the not so quiet Amish town, Banshee, Pennsylvania.

Lucas Hood (Antony Starr), an ex-con and master thief assumes the identity of a murdered sheriff where he continues his criminal activities. His past seems to haunt him by those he betrayed years earlier. This ex-con imposes his own brand of justice where violence erupts at every turn in the not so quiet Amish town, Banshee, Pennsylvania.

Lucas Hood (Antony Starr), an ex-con and master thief assumes the identity of a murdered sheriff where he continues his criminal activities. His past seems to haunt him by those he betrayed years earlier. This ex-con imposes his own brand of justice where violence erupts at every turn in the not so quiet Amish town, Banshee, Pennsylvania.

Lucas Hood (Antony Starr), an ex-con and master thief assumes the identity of a murdered sheriff where he continues his criminal activities. His past seems to haunt him by those he betrayed years earlier. This ex-con imposes his own brand of justice where violence erupts at every turn in the not so quiet Amish town, Banshee, Pennsylvania.