If+jazz+rock

Double Diamond is the sixth album by British jazz-rock group If and the second to be issued in the U.S. on the Metromedia Records label. With only Dick Morrissey left from the original band, the new line-up featured Fi Trench (keyboards) and Pete Arnesen (keyboards), Steve Rosenthal (guitar/lead vocals), Kurt Palomaki (bass) and Cliff Davies (drums)…

If's last studio album isn't as good as their first albums. After many line-up changes, the band slowly changed their musical direction to more straightforward blues-soul-rock…

If's last studio album isn't as good as their first albums. After many line-up changes, the band slowly changed their musical direction to more straightforward blues-soul-rock…

„When I die, I want people to play my music, go wild and freak out and do anything they want to do.“ Jimi Hendrix’s wish has been posthumously fulfilled. Although he had such misfortune in life, and died in 1970 at a mere 27 years of age, his immortal music has continued to be played ever since his death - very much in the spirit of that quote. Countless musicians in rock, pop and jazz have been influenced by Hendrix, and many have overtly based their own music on his. Among the ACT family of artists, several have been inspired by his music, and have found their own individual ways to play it. In November of this year this icon of the 1968 protest movement, this pioneer of rock would have been 75. A good reason, then, for ACT musicians to gather together for a retrospective called “Hendrix in the Spirit of Jazz”, to let the unique spirit of this genius of the electric guitar soar again.

„When I die, I want people to play my music, go wild and freak out and do anything they want to do.“ Jimi Hendrix’s wish has been posthumously fulfilled. Although he had such misfortune in life, and died in 1970 at a mere 27 years of age, his immortal music has continued to be played ever since his death - very much in the spirit of that quote. Countless musicians in rock, pop and jazz have been influenced by Hendrix, and many have overtly based their own music on his. Among the ACT family of artists, several have been inspired by his music, and have found their own individual ways to play it. In November of this year this icon of the 1968 protest movement, this pioneer of rock would have been 75. A good reason, then, for ACT musicians to gather together for a retrospective called “Hendrix in the Spirit of Jazz”, to let the unique spirit of this genius of the electric guitar soar again.

„When I die, I want people to play my music, go wild and freak out and do anything they want to do.“ Jimi Hendrix’s wish has been posthumously fulfilled. Although he had such misfortune in life, and died in 1970 at a mere 27 years of age, his immortal music has continued to be played ever since his death - very much in the spirit of that quote. Countless musicians in rock, pop and jazz have been influenced by Hendrix, and many have overtly based their own music on his. Among the ACT family of artists, several have been inspired by his music, and have found their own individual ways to play it. In November of this year this icon of the 1968 protest movement, this pioneer of rock would have been 75. A good reason, then, for ACT musicians to gather together for a retrospective called “Hendrix in the Spirit of Jazz”, to let the unique spirit of this genius of the electric guitar soar again.

If Soft Machine was a rock group that veered towards jazz rock, Nucleus can be seen as a jazz group that veered towards jazz rock, as most musicians were clearly jazz musicians with the notable exception of Chris Spedding (yes, Mr. motocycle-punk/Chameleon-man of rock). If a comparison of those two groups can be made, it is also obvious that Nucleus became a nursing ground for those musicians before joining Soft Machine (around ten musicians did the transfer). They were signed on the famous progressive Vertigo label and the first two superb artwork album sleeves were designed by Roger Dean.
Nucleus was trumpet player (and confirmed jazzmen and biographist) Ian Carr's project and the its discography is rather confusing with the different designations as some were called "Ian Carr's Nucleus", "Nucleus With Ian Carr"…

Double Diamond is the sixth album by British jazz-rock group If and the second to be issued in the U.S. on the Metromedia Records label. With only Dick Morrissey left from the original band, the new line-up featured Fi Trench (keyboards) and Pete Arnesen (keyboards), Steve Rosenthal (guitar/lead vocals), Kurt Palomaki (bass) and Cliff Davies (drums). It was recorded at The Manor recording studios shortly after Mike Oldfield's Tubular Bells, and released in 1973. In that same year, following the success of the group in Germany, as part of the This is … series, Brain Records (a division of Metronome) brought out a vinyl LP version of Double Diamond for distribution in Germany only, changing the title to This Is If. The track listing is identical in both cases. The original cover design, and possibly the title, is a reference to the beer brand of the same name.