Willie Nile's style has never been monochromatic, either as a songwriter or a performer, but over the course of a recording career that was launched in 1980, two things have been consistent – the guy clearly loves rock & roll, and he sure likes guitars (Nile even released an album called House of a Thousand Guitars). So was anyone out there expecting Nile to make an entire album of contemplative, midtempo acoustic numbers built around the guy playing piano? In many respects, If I Were a River upends the average fan's expectations about a Willie Nile album (especially after 2013's decisively rockin' American Ride), although the dramatic force of Nile's songwriting and the passion of his vocals should be more than familiar to anyone who has been listening to his music over the years
Midge Ure's career, as fans well know, did not begin or end with Ultravox, and so If I Was: The Very Best of Midge Ure & Ultravox attempts to give an overview of one of '80s' Britain's most popular singers. As a career retrospective goes, however, it's pretty spotty. The Scottish vocalist first found fame with the pop band Slik, who scored a chart topper with "Forever and Ever" in 1976. Unfortunately, you won't find that here, nor its hit follow-up, scored just as a car accident took the band out of the charts. Once recovered, Ure moved on. His first port of call, in 1978, was ex-Pistol Glen Matlock's punk/post-punk supergroup the Rich Kids, who released a single and album, although this compilation draws nothing from this period, either. The following year, with the Kids in disarray, Ure helped form the even more illustrious Visage. Joining him there was Ultravox's Billy Currie and, before the year was out, Ure was fronting two hit-bound bands. Visage gets short shrift here, with Ultravox invariably, if unfairly, better represented. But even this wasn't enough to keep the singer busy. In 1981, as both bands' albums and singles swept up the charts, Ure linked up with Thin Lizzy's Phil Lynott for yet another hit, "Yellow Pearl".