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Immerseel

Claire Chevallier & Jos van Immerseel - Dvořák, Grieg & Brahms: Music for Piano Four Hands (2017)

Claire Chevallier & Jos van Immerseel - Dvořák, Grieg & Brahms: Music for Piano Four Hands (2017)
EAC Rip | FLAC (tracks+log+.cue) - 217 Mb | MP3 CBR 320 kbps - 173 Mb | Digital booklet | 01:11:24
Classical | Label: Alpha Classics, Outhere Music

Jos van Immerseel and Claire Chevallier have enjoyed a close collaboration for many years now. Like Jos van Immerseel, Claire Chevallier loves period pianos; like him, she is a researcher and possesses her own collection of keyboard instruments.
Jos van Immerseel - The Accent Recordings 1979-1986: Mozart, Beethoven, Clementi, Rossini (2015)

Jos van Immerseel - The Accent Recordings 1979-1986: Mozart, Beethoven, Clementi, Rossini (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 06:53:23 | 1,48 Gb
Genre: Classical | Label: Accent | Catalog: ACC 24311

A leader of the movement for historically informed performances, Jos van Immerseel has been active in performances of Renaissance and Baroque music, but he has concentrated on piano music of the Classical and Romantic eras, performing and recording much of the keyboard repertoire on period instruments. This eight-CD box set from Accent contains van Immerseel's recordings from 1979 to 1986, played on a variety of original pianofortes and modern reproductions, and with period instruments in the works for ensembles.
Chouchane Siranossian, Jos van Immerseel - L'Ange et le Diable: Locatelli, Leclair, Forqueray, Tartini (2016)

L’Ange & le Diable: Locatelli, Leclair, Forqueray, Tartini (2016)
Chouchane Siranossian (violin), Jos van Immerseel (harpsichord)

EAC | FLAC | Image (Cue&Log) ~ 368 Mb | Mp3 (CBR320) ~ 158 Mb | Artwork included
Classical, Baroque | Label: Alpha | # ALPHA255 | Time: 01:08:07

After a year of celebrations of his seventieth birthday, including several recordings of orchestral music, Jos Van Immerseel returns to chamber music and the accompaniment of young talents, two absolute priorities for him. In Chouchane Siranossian he has found a worthy partner, as gifted on the modern violin as she is on the Baroque instrument, a pupil of Tibor Varga, then of Zakhar Bron, as well as a disciple of Reinhard Goebel, whose first recording, on the Oehms label, attracted great attention (winning a ‘Diapason Découverte’). Here it is the Baroque violinist who engages in dialogue with the harpsichord of Jos Van Immerseel in a Franco-Italian programme juxtaposing the music of the ‘Angel’ Leclair and the ‘Devil’ Locatelli, not forgetting Tartini’s famous ‘Devil’s Trill’ Sonata . . . Indeed, all this music is ‘devilishly’ difficult to play, but the Franco-Armenian violinist shows perfect mastery of it, combined with great inventiveness.
Anima Eterna Brugge, Jos van Immerseel - Poulenc: Concerto pour deux pianos et orchestre, Concert Champêtre & Suite Française (

Anima Eterna Brugge, Jos van Immerseel - Poulenc: Concerto pour deux pianos et orchestre, Concert Champêtre & Suite Française (2019)
WEB FLAC (Tracks) 222 MB | Cover | 58:15 | MP3 CBR 320 kbps | 133 MB
Classical | Label: Zig-Zag Territoires

After exploring the universe of Ravel, Anima Eterna continues its voyage of discovery through twentieth-century French music with Francis Poulenc.
Claire Chevallier, Anima Etern, Jos van Immerseel - Ravel: Bolero, Pavane, Concerto for the left hand, La Valse (2006)

Claire Chevallier, Anima Etern, Jos van Immerseel - Ravel: Bolero, Pavane, Concerto for the left hand, La Valse (2006)
EAC | FLAC (image+.cue, log) | Covers Included | 01:12:03 | 297 MB
Genre: Classical | Label: Zig Zag Territoires | Catalog: ZZT060901

The listener may see the phrase "piano Erard 1905" on the cover of this album of Ravel works and wonder whether the historical performance movement has really gone too far. And truly this is, at least from a modern standpoint, an unusual and even bizarre Ravel recording. It's not so much the Erard piano, which sounds as though it was made to play Fauré and Debussy, but is not so far from other concert grands. What's strange is the general interpretation by Flemish historical keyboardist Jos van Immerseel, known mostly for his performances of music from the eighteenth and perhaps the early nineteenth centuries.
Jos van Immerseel, Orchestra Anima Eterna - Johann Strauss: Valses, Polkas, Ouvertures (2002)

Jos van Immerseel, Orchestra Anima Eterna - Johann Strauss: Valses, Polkas, Ouvertures (2002)
EAC | FLAC | Image (Cue & Log) ~ 327 Mb | Total time: 70:32 | Scans included
Classical | Label: Zig Zag Territoires | ZZT 020601 | Recorded: 1999

The music of Johann Strauss reflects a lifestyle, a refinement … a true Viennese tradition. At the same time, this music simply creates joie de vivre, an almost uncontrollable urge to dance. It is these feelings and these emotions Anima Eterna and its leader, Jos van Immerseel communicate with delicacy and conviction; also with a view to the greatest possible proximity to the score as it was conceived at the time of its creation.
Anima Eterna, Jos van Immerseel - Johann Strauss: Waltzes, Polkas & Overtures (2012)

Anima Eterna, Jos van Immerseel - Johann Strauss: Waltzes, Polkas & Overtures (2012)
EAC | FLAC (image+.cue, log) | Covers Included | 01:10:25 | 336 MB
Genre: Classical | Label: Outhere | Catalog: REW505

The music of Johann Strauss reflects an elegance and refinement typical of Vienna. It inspires us with a joie de vivre and an almost irresistible urge to dance. The ensemble Anima Eterna Brugge and its conductor, Jos van Immerseel, invite us to spend a delightful moment in Strauss’s company and theirs, with delicacy and feeling, conviction and emotion. Keeping as close as possible to the original score, they enable us to hear these pieces as they were intended by the composer.
Jos van Immerseel, Anima Eterna Brugge - Schubert: The Complete Symphonies (2012)

Jos van Immerseel, Anima Eterna Brugge - Schubert: The Complete Symphonies (2012)
EAC | FLAC | Image (Cue & Log) ~ 1.07 Gb | Total time: 04:12:55 | Scans included
Classical | Label: Zig-Zag Territoires | ZZT 308 | Recorded: 1996, 1997

In the course of the 1996-97 season, Anima Eterna played and recorded Schubert's complete symphonies in the particularly innovative interpretation of their conductor, Jos van Immerseel. This interpretation, based on the study of Schubert's manuscripts and on the instruments used at the time of their first performance, allows us to discover sound colours that combine freshness and profundity.
Jos van Immerseel, Octophoros – Mozart, Beethoven: Quintets (1985) (Repost)

Jos van Immerseel, Octophoros – Mozart, Beethoven: Quintets (1985)
EAC | FLAC (image+.cue, log) | Covers Included | 51:28 | 216 MB
Genre: Classical | Label: ACCENT | Catalog: ACC 58538 D

Authentic and authoritative, these 1985 recordings of Mozart and Beethoven's quintets for piano and winds have almost everything going for them. Performing on a pianoforte modeled on a 1790 Viennese instrument, Jos van Immerseel is an adroit player, while the quartet drawn from the period instrument wind band Octophoros Paul Dombrecht on oboe, Elmar Schmid on clarinet, Piet Dombrecht on horn, and Danny Bond on bassoon are likewise all skillful instrumentalists.

Jos van Immerseel - Beethoven: Piano Sonatas (2020)  Music

Posted by ciklon5 at June 5, 2020
Jos van Immerseel - Beethoven: Piano Sonatas (2020)

Jos van Immerseel - Beethoven: Piano Sonatas (2020)
FLAC tracks | 03:34:32 | 823 Mb
Genre: Classical / Label: Alpha

A leading authority on the fortepiano, Jos Van Immerseel has devised a programme focusing on the music Beethoven composed for a Viennese piano with a range of five octaves. This includes the finest keyboard music from Beethoven’s early Viennese period, more specifically works written between 1795 and 1804. For this recording, the Flemish pianist has used the composer’s extant autograph manuscripts or the first editions published shortly after composition, as well as the latest critical edition by Jonathan Del Mar (Kassel: Bärenreiter-Verlag, 2017-18). The writings of Carl Czerny, one of Beethoven’s most important ‘pupils’, were also a significant source of information. With his customary attention to the instrumentarium, Jos Van Immerseel has opted for a five-octave Viennese grand fortepiano by Christopher Clarke, a masterly replica, built in 1988, of an instrument by Walter, whom Beethoven himself selected in 1802 from among the sixty or so Viennese piano makers of the time.