In Jack Johnson

Jack Johnson returns with his 8th album 'All The Light Above It Too' releasing on 9/8. The album is being led by first single 'My Mind Is For Sale' which will be impacting radio this July, followed by a run of North American tour dates. Jack will also embark on a run of dates in the Southeast following album release. The press anticipation on the music is massive with early support from Rolling Stone, NPR, Coastal Living, Surfer, SiriusXM and forthcoming TV bookings around album release.

Miles Davis - A Tribute To Jack Johnson (1970) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1222}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 338 Mb | MP3 @320 -> 129 Mb
Full Artwork @ 600 dpi (png) -> 337 Mb | 5% repair rar
© 1970, 2006 Sony Music Japan / Columbia | SICP 1222 | DSD | HQD High Quality Disc
Jazz / Jazz Rock / Jazz Fusion / Trumpet

A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky sound with the raw, exploratory style Davis had let loose a few years before. Michael Henderson's bass is a big part of the power of the record, and John McLaughlin's guitar has never sounded better, or sharper. Teo Macero made the whole thing magic in the studio, and titles include two sidelong funkdafied jams – "Right Off" and "Yesternow".

Miles Davis - A Tribute To Jack Johnson (1971) {2006 DSD Japan Mini LP Edition, SICP-1222}
EAC rip (secure mode) | FLAC+CUE+LOG -> 337 Mb | MP3 @320 -> 125 Mb
Full Artwork @ 400 dpi (png) -> 106 Mb
© 2006 Sony Music Japan / Columbia | SICP 1222
Jazz / Fusion / Jazz Rock

A TRIBUTE TO JACK JOHNSON was originally conceived as the soundtrack for a documentary on the life of the first African American heavyweight boxing champion, but the album stands on its own as one of the most brilliant, compelling fusion recordings ever made. This is due in large part to the increasing influence of rock and funk on Miles's aesthetic, to the superb musicians (including Davis himself– who turns in some stunningly vigorous solos), and in part to the production skills of Teo Macero, who collaged the album together from numerous jam sessions into two lengthy, majestic tracks.