Rush's career reached an important milestone in 2011 – the 30th anniversary of the release of the band's masterpiece, Moving Pictures. Its U.S. sales of more than four million copies shows that this is the album that even casual fans like. (Even those who don't "like" Rush tend to like "Tom Sawyer.") The Canadian trio celebrated the 1981 best-seller with the Time Machine tour, featuring a performance of the album in its entirety. The two-CD set Time Machine 2011: Live in Cleveland captures Rush's sold-out concert on April 15, 2011, at the Quicken Loans Arena in Cleveland, Ohio. Previous live albums were recorded outside the United States, so Rush decided to do this one in the first major city to embrace the band after its hometown of Toronto…
Earache Records is nominally a label devoted to death metal, but anyone who buys Rival Sons' Pressure & Time expecting an album in that style is likely to be disappointed, just as any rock fan who avoids it with the same expectation will be missing out. The Los Angeles quartet consisting of singer Jay Buchanan, guitarist Scott Holiday, bassist Robin Everhart, and drummer Mike Miley doesn't play death metal, though its music might be called early or pre-metal. Simply put, Rival Sons are a power trio plus singer in the traditional style, who might have made this album after listening to the first Led Zeppelin LP over and over for a day or two.
As a debut recording on Deutsche Grammophon, Lisa Batiashvili's Echoes of Time works reasonably well because it demonstrates a seriousness of purpose that any rising violinist would wish to convey and provides a showcase for her virtuosity. Dmitry Shostakovich's Violin Concerto No. 1 sets a keynote of gravitas and introduces us to the theme of the album, which is that the works presented here were influenced in one way or another by the culture and politics of the Soviet Union.
Orchestre Symphonique de Montréal is well-known for his innovative concert programmes. Here he conducts the Montreal Symphony Orchestra for his third Beethoven project. After his two previous CD's with the titles "Ideals of the French Revolution" (Beethoven's Fifth Symphony & the Egmont overture) and "Gods, Heroes and Men" (Beethoven's Third and the ballet music "Creatures of Prometheus"), this new release is dedicated to the subject "In the Breath of Time". Featuring the “Pastorale” Symphony (No. 6) and the seldom performed 8th Symphony, this release consists of what are probably Beethoven's two sunniest symphonies.
In April 2010 Peter Hammill, Hugh Banton and Guy Evans undertook some intensive tracking sessions in Cornwall, arranging, rehearsing and recording the album in a week. Over the next few months the tracks were overdubbed, edited and adapted by the band in their own studios, and by September the project was ready to be mixed by legendary producer Hugh Padgham (the first time anybody outside the band has been entrusted such responsibility). After three weeks at Hugh's studio, Sofasound, "A Grounding in Numbers" was complete. With a fantastic clarity and depth of sound, and a helter-skelter stretch of tunes, "A Grounding In Numbers" sees VDGG pushing ever further forward into the twenty-first century, and their fanbase is certain to enjoy this strong, cohesive set.
In April 2010 Peter Hammill, Hugh Banton and Guy Evans undertook some intensive tracking sessions in Cornwall, arranging, rehearsing and recording the album in a week. Over the next few months the tracks were overdubbed, edited and adapted by the band in their own studios, and by September the project was ready to be mixed by legendary producer Hugh Padgham (the first time anybody outside the band has been entrusted such responsibility). After three weeks at Hugh's studio, Sofasound, "A Grounding in Numbers" was complete. With a fantastic clarity and depth of sound, and a helter-skelter stretch of tunes, "A Grounding In Numbers" sees VDGG pushing ever further forward into the twenty-first century, and their fanbase is certain to enjoy this strong, cohesive set.
Released in 1974, Hero & Heroine was one of the Strawbs' more popular albums, making the Top 100 in the U.S. This release is not the original recording, nor an expanded edition of it, but a much later reworking of the same material, recorded between November 2010 and March 2011. Three of the Strawbs who played on the 1974 Hero & Heroine album (Dave Cousins, Dave Lambert, and Chas Cronk) remained in the lineup this time around, with John Young on keyboards and Tony Fernandez on drums. It's different from the original, of course, in the unavoidable different flavor given to it by more modern production and instruments, though also via the absence of John Hawken, the keyboard player on the 1974 album.