In V.a.

Aural Float compiled the soundtracks for the german cult TV-series "Space Night", that has been broadcasted every night at TV-station BR.
The Orb, David Sylvian, Brian Eno & David Byrne, The Future Sound Of London, Anthony Rother, Move D. & Pete Namlook, Sounds From The Ground, Lemongrass, Jens Buchert and many more.
With it`s futuristic visuals Space Night pretty soon reached "cult status" among the young night watchers. A futuristic show that accompanied the afterwork and afterparty life of young people and electronic music fans. Coming home from the club at night and chilling to the sounds of the cult show, Aural Float created a bridge to chill out and come down. Space Night had certainly left its marks to a whole generation of electronic music enthusiasts.

This eight-CD set should be a part of any collection that presumes to take American music - not just rock & roll or rhythm & blues - seriously. Atlantic Records was one of dozens of independent labels started up after the war by neophyte executives and producers, but it was different from most of the others in that the guys who ran it were honest and genuinely loved music. Coupled with a lot of luck and some good judgment, the results trace a good chunk of the history of American music and popular culture. Disc one opens with cuts which slot in somewhere midway between jazz, bop, and "race" music (as the term was used then). Disc two is pure, distilled R&B, the stuff filling the airwaves of black radio and the jukeboxes in the "wrong" parts of town in 1952-54….

The complete ambient downtempo and atmospheric collection Fahrenheit Project serie. All along this project, the diverse musical and geographical influences communicate with one another, evoke their rhythms, their harmonies and inspirations. Asura, Solar Fields, Aes Dana, Robert Rich, Vibrasphere, H.U.V.A. Network, Carbon Based Lifeforms and many more.

These albums aims to provide a selection of some of the most representative classic of world music, as well as a selection of recent successes, universalized in version "World". This denomination, we have baptized for the occasion as "La Musica De Los Dioses" (The Music of the Gods), provides a spectrum of influences, whose origins are in the most remote places on earth. Sounds, percussion and voices of the Amazon jungles, islands of Borneo and Indonesia or multiple regions of Africa converge here with influences from very different cultures and current rates.

Em:t was a British record label, based in Nottingham, which specialized in ambient electronic music. They were active from 1994 to 1998, and after a period of bankruptcy, re-established themselves in 2003 under new ownership and management. In summer 2006, the label officially ceased operations again, although by this time it had not been active for some time. Though em:t never enjoyed widespread commercial success, their releases were highly regarded and influential in ambient circles, and the label attracted a cult following - encouraged, no doubt, by the collectible nature of the releases.
Gas, Woob, International Peoples Gang, Miasma, Beatsystem, Richard Bone, Gel-Sol and many more.

Really appreciated both by listeners & critics, more than just a compilation, Break n' Bossa has been, during the years, the exact mirror of a music scene, rather, it was the project that literally invented a new music genre, giving a connotation & a point of reference to the growing up scene. Schema Records helped in its development with all its artists.

~ The ultimate “Living Stereo” Collector’s Edition – A celebration of high-fidelity analogue recording ~ All 60 CDs newly remastered from the original 2- and 3-track master tapes using 24 bit / 192 kHz technology ~ First ever release of 48 “Living Stereo” LPs on CD ~ Hardcover bound book with a new introduction by discographer Michael Gray, full discographical notes and content listing ~ All albums with facsimile LP sleeves and labels About “Living Stereo”: Early in the fall of 1958, the world of high-fidelity music reproduction changed forever.

This is an attractive eight-CD set (+ Bonus CD), whose discs are also available as eight separate releases, that could have been a great reissue but settled for being merely quite good. To celebrate the 80th anniversary of the first jazz recording, RCA released a disc apiece covering each of the past eight decades. In listening to the music straight through, one becomes aware of RCA's strengths and weaknesses as a jazz label. Victor was one of the most important jazz labels during the 1920s, '30s and '40s, catching on to bebop a little late (1946) but still documenting many classic recordings. By the 1950s, the label's attention was wandering elsewhere; it missed free jazz almost completely in the '60s, and in the last three decades has only had a few significant artists, mostly Young Lions whose output sounds conservative compared to the earlier masters…

Going by the title, the Retro: Active series from Canada's Hi-Bias label sounds like it could be a nightmare of new wave and '80s-alternative singles remixed by modern producers to put a new spin on old favorites. Thankfully, the label has simply plucked extended versions and remixes from previously existing 12" singles - like the ones you might have sitting in your closet, or the ones you heard in clubs or even on the radio.
A-ha, Erasure, The Cure, Orchestral Manoeuvres in the Dark, Alphaville, Duran Duran, INXS, New Order, Peter Schilling and many more.

In the CD programme Psychedelic Gems, psychedelic and progressive bands and their background are featured bands, whose overall output of published or unpublished material would not be sufficient to justify a CD on their own. Most of them played during the late sixties and early seventies, having published no more than a demo tape or a single, which is why several of them are presented together on one CD. Each group - so far all of them coming from German-speaking countries - is accorded a full-page colour picture of the cover of their single, a band history in German and English and, if space is available, a photo of their label. In contrast to bootleg labels such as Visions of the Past, Electrick Loosers or Prae-Kraut Pandaemonium, all licenses were legally obtained from the artists or their record companies. Overlapping releases are therefore nothing to be surprised about. Together with the one of the Garden Of Delights series…