Prisoner is the sixteenth studio album by American singer-songwriter Ryan Adams. It was released on February 17, 2017. The album is Adams' first album of original material since his 2014 album, Ryan Adams, and was preceded by the singles "Do You Still Love Me?", "To Be Without You", and "Doomsday". Prisoner received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 79 based on 26 reviews, indicating "generally favorable reviews." Stephen Thomas Erlewine of AllMusic rated the album four out of five stars, calls it "charming", and states, "it's not a record that wallows in hurt, it's an album that functions as balm for bad times." Writing for Slant Magazine, Jeremy Winograd rated the album four of five stars and states Prisoner is "one of Adams's most sonically artful albums to date."
With a new year comes new music; that’s where Ryan Chernin enters the scene with his debut EP, You Know Who You Are, out January 13. You Know Who You Are features six songs about “life, love, and loss” and is the product of a year’s worth of work. The mature songs, personal lyrics, and intricate instrumentals feel more like an exploration of self than a combination of songs. The further you get into You Know Who You Are, you feel like you have a better understanding of who Ryan Chernin is.
Halifax-native Ryan Hemsworth has thrived in the disbanding of genre divides, enabled by the digital era, from producing songs for Southern hip-hop artists, and pushing ‘90s-style R&B back on trend, to experimenting with downtempo bedroom electronica, and remixing chart-topping pop songs. His sophomore solo album, Alone For The First Time, however, marks a step toward honing a completely idiosyncratic sound. Despite its name, Alone For The First Time, is replete with collaborations cultivated from a community of bedroom producers including little cloud, Lontalius and Dawn Golden. The album combines Hemsworth’s manifold sonic influences with his fascination with early video game soundtracks to make a unique aesthetic statement…
Ryan Adams said; "Big Colors was created as a 1980s soundtrack to a movie that never existed. Wednesdays was a study of decline and morality; Big Colors is meant to feel like a daydream. New York, where this album was written, always propels me into new, unexpected creative spaces and this album happened to me, more than I can say I happened to it".