Darkthrone is an influential Norwegian metal band. They formed in 1986 as a death metal band under the name Black Death. In 1991, the band embraced a black metal style influenced by Bathory and Celtic Frost and became one of the leading bands in the Norwegian black metal scene. Their first three black metal albums—A Blaze in the Northern Sky, Under a Funeral Moon and Transilvanian Hunger (sometimes dubbed the "Unholy Trinity") —are considered the peak of the band's career and to be among the most influential albums in the genre. For most of this time, Darkthrone has been a duo of Nocturno Culto and Fenriz, who have sought to remain outside the music mainstream. Since 2006, their work has strayed from the traditional black metal style and incorporated more elements of traditional heavy metal, speed metal and punk rock, being likened to Motörhead.
Suffolk-based rustic psych-rockers The Future Kings Of England offer on their fourth album the soundtrack for a creepy ghost story written in 1904 by MR James, in which a sceptical professor has his certainties rattled when he finds a Bronze Age whistle and with it summons up… who knows what? A ghost? Evil spirit? Teasingly, the written extracts never fully explain, which is all to the good. Save for a few brief lines in two tracks, it's entirely instrumental, the band skilfully blending the bucolic with the eerily industrial into a vivid series of doomscapes. They stray at times into boggy progginess, but at their best ("The Globe Inn", "Convinced Disbeliever") they have the steady, unhurried manner of Pink Floyd en route to some grand epiphany.
The Pink Panther is another fine, early-'60s soundtrack from Henry Mancini. The title track became one of his most recognizable themes and kicks off a pleasant program of dreamy lounge cuts and Latin-tinged numbers. As he did on many other movie/TV albums (Touch of Evil, Peter Gunn, etc.), Mancini also includes some noirish, big band numbers, like "The Tiber Twist" and the main title…
Murnau’s Nosferatu, A Symphony of Horrors premiered on March 4, 1922 in the Marble Hall of the Zoological Gardens in Berlin, Germany. It was the first film to be based on Bram Stoker’s Dracula. The audience was small, but the premiere was a lavish affair which began with a discussion and ended with a fancy-dress ball. The reviews of the film were very favorable. In its advance announcements the Prana-Film Company said it was going to create a “Symphony of Horror,” and it completely succeeded. The film preys like a demon on the senses and envelops the moviegoer in its eerie vision…