In the late 80's, a group of friends who usually joined in an Amersfoort (the Netherlands) Pub to talk about music while taking some drinks shouted one day they wanted to form a band. After seven years Bert Heinen (one of the pub guys) had gathered enough material to release an album and he started to send some demos to different magazines and after a good response from Background Magazine and his lead to a contract with LaBraD'or records in 1997.
In 1998 with Bert in the Guitars, Keyboard and vocals plus Marien in drums and additional keyboards, Like Wendy releases "The Storm Inside" with a very melodic approach to Marillion, Pendragon, Pallas and IQ. The albums consisting of the demo tracks plus two new songs, was quite simple but pretty effective and received favorable comments of the critics…
Kate Bush's first album, The Kick Inside, released when the singer/songwriter was only 19 years old (but featuring some songs written at 15 and recorded at 16), is her most unabashedly romantic, the sound of an impressionable and highly precocious teenager spreading her wings for the first time. The centerpiece is "Wuthering Heights," which was a hit everywhere except the United States (and propelled the Emily Brontë novel back onto the best-seller lists in England), but there is a lot else here to enjoy: The disturbing "Man with the Child in His Eyes," the catchy rocker "James and the Cold Gun," and "Feel It," an early manifestation of Bush's explorations of sexual experience in song, which would culminate with "Hounds of Love." As those familiar with the latter well know, she would do better work in the future, but this is still a mightily impressive debut.
A year after the 2004 live DVD You Gotta Move, Aerosmith unleashes another live release with Rockin' the Joint. This 11-track album was recorded live on January 11, 2002 at the Las Vegas Hard Rock Hotel & Casino as the quintet was pushing their 2001 album Just Push Play…
Three CDs containing over three hours forty-five minutes of music can't be bad! We have tracks donated by well known favourites such as Binar, Radio Massacre International, Ron Boots, Skin Mechanix and AirSculpture plus some of the more successful new kids on the block: The Omega Syndicate, Create and The Glimmer Room. That is not all though as this collection also provides an opportunity for some of those artists who are currently just 'bubbling under the surface' to be heard.
Scabdates' accompanying photography is a frenetic blur of instruments and sweaty hair. Singers stand on amplifiers, and keyboardists stare intently at the veins popping in their hands; drummers reach over snares to tweak guitar strings, and saxophones appear out of the ether. It's an accurate portrayal of the Mars Volta's collagist sound, their subtitled and bullet-pointed avant metal that increasingly seems like the soundtrack to a film only Omar Rodriguez-Lopez can see. Still, even at their most insular (some would say self-indulgent), the Mars Volta seethe with intensity. Scab Dates proves this. Most of the more wandering elements of De-Loused and Frances the Mute disappear for this live document, replaced by hails of screaming organ, increased thump to the rhythm section, and Cedric Bixler-Zavala showing off the insane volatility in his voice…