Interview Camp

The Art of Inventing Hope offers an unprecedented, in-depth conversation between the world's most revered Holocaust survivor, Elie Wiesel, and a son of survivors, Howard Reich. During the last four years of Wiesel's life, he met frequently with Reich in New York, Chicago and Florida—and spoke often on the phone—to discuss the subject that linked them: both Wiesel and Reich's father, Robert Reich, were liberated from Buchenwald death camp on April 11, 1945. What had started as an interview assignment from the Chicago Tribune quickly evolved into a friendship and a partnership.

With this simultaneously harrowing and lyrical debut feature, Jan Němec established himself as the most uncompromising visionary among the radical filmmakers who made up the Czechoslovak New Wave. Adapted from a novel by Arnošt Lustig, Diamonds of the Night closely tracks two boys who escape from a concentration-camp transport and flee into the surrounding woods, hostile terrain where the brute realities of survival coexist with dreams, memories, and fragments of visual poetry. Along with visceral camera work by Jaroslav Kučera and Miroslav Ondříček—two of Czechoslovak cinema’s most influential cinematographers—Němec makes inventive use of fractured editing, elliptical storytelling, and flights of surrealism as he strips context away from this bare-bones tale, evoking the panicked delirium of consciousness lost in night and fog.

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One of the first "underground" films of the 1960's to achieve a degree of mainstream acceptance (it was an actual hit in New York City, was well-received in Los Angeles and San Francisco, and was banned in Chicago and Boston), Andy Warhol's The Chelsea Girls offered a long, unblinking look into the lives of Warhol's retinue of "superstars" as they showed off for the camera in their various rooms in the notorious Chelsea Hotel, long a favored New York hangout for writers, artists and bohemians. Along with such notables of the moment as Eric Emerson, Brigid Polk, Ondine, and Mario Montez, one of the "girls" was Mary Woronov, years before she gained a cult following for her work in Rock 'n' Roll High School and Eating Raoul. The three-and-a-half hour film consisted of two series of images shown simultaneously, though only one soundtrack was audible…..

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