This new studio recording of Bellini's Il Pirata in its uncut version includes all the repetitions, original cadenzas and variations written by the singers, as well as the rarely performed finaletto. Prima Classic's aim is to present to the public this masterpiece of composition, beauty, and of incredible technical demands on the soloists, performed by some of the most prominent singers of today. With Javier Camarena, Marina Rebeka, and Franco Vassallo performing the leading roles, this album was recorded at Bellini's homeland, Catania, with the Orchestra e Coro del Teatro Massimo Bellini, under the baton of Fabrizio Maria Carminati.
For more than two decades, Cecilia Bartoli has undeniably been one of the leading artists in the field of classical music. All over the world, her new operatic roles, her concert programs and recording projects – in exclusivity with Decca – are expected with great eagerness and curiosity. The exceptional amount of 8 million CDs sold, more than 100 weeks ranking in the international pop charts, numerous Golden Discs, four Grammys® (USA), nine Echos and a Bambi (Germany), two Classical Brit Awards (UK), the Victoire de la musique (France) and many other prestigious awards reflect the immense success of for example Opera proibita and her solo albums dedicated to Vivaldi, Gluck and Salieri and that she is firmly established as today’s “best-selling classical artist”.
Baroque Masterpieces - collection of Baroque music in the best performance in the company Sony BMG DHM Artenova. One of the best collections of Baroque music! The greatest works - the legendary performance! Baroque music is a style of European classical music in the period from about 1600 to 1750. The Baroque era follows the Renaissance and the Classical period precedes. The main in this music was an expression of emotions. Baroque music - this violence and ecstasy, in contrast to the confidence and independence of the Renaissance.
Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al. What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.
These seven discs recorded between 1995 and 2000 make up a fabulous anthology of early seventeenth-century Italian music. A large number of composers are gathered round the central figure of Claudio Monteverdi; while some of them, like Salomone Rossi, Biagio Marini and Dario Castello, are among the musicians with whom he worked in Mantua or Venice, others illustrate the extraordinary musical creativity of the period, whether it be Sigismondo d’India, Tarquinio Merula, Francesco Cavalli, Alessandro Grandi, or so many other lesser-known personalities, each of whom helped to build the rapidly growing edifice of Italian Baroque music.
The most comprehensive edition devoted to Gioacchino Rossini marking his 150th anniversary. Born in 1792, Rossini was the most popular opera composer of his time. Although he retired from the Opera scene in 1829, he continued to compose in other genres, including sacred music, piano and chamber works. He did gather his late works under the ironic title Péchés de vieillesse (Sins of Old Age), which veils a true collection of masterworks.