Io Sono Cesare

Baroque Masterpieces - collection of Baroque music in the best performance in the company Sony BMG DHM Artenova. One of the best collections of Baroque music! The greatest works - the legendary performance! Baroque music is a style of European classical music in the period from about 1600 to 1750. The Baroque era follows the Renaissance and the Classical period precedes. The main in this music was an expression of emotions. Baroque music - this violence and ecstasy, in contrast to the confidence and independence of the Renaissance.

After numerous clues on social media, Cesare Cremonini finally reveals what he has been working on for some time: his first great music collection that brings together a twenty-year-old production. "Cremonini 2C2C - The Best Of" will be released on November 29th and will be a collector's box containing: 6 unreleased tracks, 32 successful remastered singles, a complete disc of 16 interpretations in piano and voice, 15 instrumental tracks made from 1999 to present , 18 rarities including original demo tracks, home recordings and alternate takes never published, thanks to which for the first time it will be possible to reveal the magic of the birth of songs and capture their creative process.

Joyce DiDonato has staked a powerful claim on the multi-faceted title role of Handel’s opera Agrippina. In the words of The Telegraph, she sings it with “authority, grandeur and high style”. She recently performed it to critical acclaim at The Royal Opera House, Covent Garden with Maxim Emelyanychev, Chief Conductor of Il Pomo d’Oro. Joining them on this recording is a cast of established and rising stars that includes Marie-Nicole Lemieux, Franco Fagioli, Luca Pisaroni, Elsa Benoit and Jakub Józef Orliński.

Until 1750, Europe was under the spell of the Italian opera seria for about 70 years. Then the audience began to develop a taste for more drama: no more succession of arias that were loosely welded together by an overly familiar plot, but a story in which people could live with the main characters. The French, who had stubbornly refused to go along in the European mania for Italian opera seria and had developed their own national opera, could look forward to an increasing influence of French opera. This can be clearly observed in the operas of Christoph Willibald von Gluck, who has gone down in history as the great opera reformer of the 18th century. However, there were even more composers who had implemented innovations and one of them was Niccolò Jommeli (1714-74).