This is really two albums in one, with a clear line of demarcation between two concepts. Roney says that he wanted to "incorporate African rhythms with a Nefertiti approach" on the whole CD, but Nefertiti easily overwhelms, even obliterates, the African element up until track six ("Village"), where Steve Berrios' percussion and Robert Irving III's synthesizers kick in. Now the music becomes more interesting, sometimes following the direction of Herbie Hancock's Mwandishi Sextet - and the last four tracks are appropriately linked to one another by Berrios' interludes. The best track, "EBO," has a great theme, an amalgam of Kind of Blue, Filles de Kilimanjaro and Gil Evans, with Chick Corea's Fender Rhodes electric piano complementing Geri Allen's acoustic piano…
Produced with loving care by Claude Nobs, founder of the Montreux Jazz Festival, with no edits or overdubs, this document of Miles Davis's Montreux performances shows through never-before-released material how Miles and company transformed his music live, with their fire, invention, and interplay. The list of sidemen on these dates is a who's who of today's superstars, including saxophonist Dave Liebman, guitarists John Scofield and Robben Ford, keyboardists Adam Holzman and Kei Akagi, bassist Michael Henderson, and percussionist Mtume. Most of the music on these discs features versions of Davis's fusion "hits." The funky and R&B-ish ditty "Ife" and the bouncy "Calypso Frelimo" are rendered with more gusto than their studio versions, as are the in-the-pocket, mid-'80s tunes "Star People" and "New Blues." A package this big has more than a few surprises, however. Chaka Khan lends her powerful pipes to Davis's unique cover of the Michael Jackson sleeper, "Human Nature," and "Al Jarreau" is an upbeat (though too short) tribute to the great vocalise master.