It's OK

Ashley's new single "It's Alright, It's OK" is out now!

“ok_computer,” a CD released by Mojo magazine in 2008, represents some of the best techno music of our time. Drawing upon the achievements of computer music geniuses, such as John Chowning, Robert Moog, and Max Mathewes, the various artists compiled on this album make use of ambient textures, synthesizers, and modulation melodies…

Talvin Singh - Ok
DbPowerAmp secure mode FLAC (tracks+log, no cue) + MP3 (320 kbps CBR) | 416.19 Mb (FLAC) + 141.79 Mb (MP3) | 60:45 minutes | Covers.
electronica, fusion, world | Island records. Recorded in London, Okinawa, Mumbai, Madras & New York during 1998.

OK is one phrase that's universally known and understood, and on OK Talvin Singh tries for a similar global connection. A classically trained tabla player, he's performed with Björk and Massive Attack, holds his own club nights in London, and is the leading light of the burgeoning Asian Underground movement--in other words, a man of many parts. He brings them all together here--the Bollywood strings, the kannakol patterns of Indian music, and the skittering rhythms of drum & bass and jungle--to create something that is new and thoroughly vibrant. This is Britain at the millennium...

The latest album Scott Bradlee’s Postmodern Jukebox, OK Crooner is a compilation of new and old hits. Those who are familiar with Bradlee’s previous release, Back When They Called It Music: The ‘90s, Vol. 1, will recognize several tracks: “Wannabe,” “This Is How We Do It,” “I’ll Be There for You (Theme From “Friends”)” and “Shoop.” The covers of these classic ’90s hits had the perfect balance of nostalgia and fresh reinvention. The rest of OK Crooner follows this familiar Bradlee recipe to success. As the album title suggests, OK Crooner recalls the style of old time crooners like Frank Sinatra, Dean Martin and Nat King Cole (to name a few). With its big band instrumentation, heavy vocal emphasis and old-style flair…

DBT released The Unraveling on Jan. 31st 2020 and set out for what was supposed to be a full year of touring. We completed the first leg of the tour at DC’s beloved 9:30 Club on Feb. 29th. We all went home for a brief break before resuming at Vogue in Indianapolis on March 12th. We were two songs into the soundcheck for that show when we were told that the entire tour was to be postponed indefinitely due to the Covid-19 pandemic. We packed up the trailer and headed home where we’ve pretty much been ever since.

OK World features the exceptional talents of flamenco guitarist Josemi Carmona (Spain), multi-instrumentalist Shrikant Shriram (India/UK), percussionists Vivek Rajagopalan (India), Khaled Yassine (Lebanon), and Amadeu Cossa (Mozambique), and guest vocalists Martam Saleh (Egypt) and Georges Nehme (Lebanon), all musicians Bugge has met during his travels and tours around the world. With his growing fascination with the diverse musical cultures the world had to offer, it was inevitable that the temptation to go beyond occasional collaborations would be powerful enough to generate a band with members from across the world. The geographical and cultural diversity of OK World does not obscure the common elements in the different dialects of musical exchange.