J D Brown

Antonio Sacchini was one of the leading composers of Italian opera seria of the late 18th century. Oedipe à Colone, his last work, was extraordinarily successful, with regular performances at the Paris Opéra between 1787 and 1844. Based on Sophocles’ tragedy Oedipus at Colonus, the second item in a trilogy that is one of the glories of Greek literature, Sacchini’s opera is notable for both its high drama and tender, moving lyricism. It was championed by Berlioz who considered it to be an inspired and even sublime work.

Iona Brown, violinist and sometime conductor of the Academy of St. Martin and the fields, clearly understood how different Telemann was from other baroque composers - and what was needed to really bring out his special qualities. Unlike J.S. Bach and Handel, who were keyboard virtuosi, Telemann, who had unusual interest in and an especially keen ear for instrumental sonorities, spent his early years (secretly) learning to play all the instruments available in his time. Despite his prodigious musical gifts, his upper middle class family did not want him pursuing what was then the low occupation of musician.

Chandos Chaconne's J.C. Bach: Overture "Adriano in Siria" features the Academy of Ancient Music under Simon Standage in four symphonies (one is an overture; for Bach there was no difference between the structure and function of these two forms) and the Sinfonia Concertante in C major, T. 289/4. The last-named work is the best music here; a loving realization featuring soloists Rachel Brown (flute), Frank de Bruine (oboe), and conductor Standage (violin) combining in pleasing harmony while managing to shine individually. This is exactly what Bach had in mind when he wrote the music, and this performance is to be preferred over the only other recording of the work on Capriccio.

Flautists tend to know that Quantz gave flute lessons to Frederick the Great and that he wrote about 300 concertos for the instrument. Only a few of these concertos have been easily accessible in print or on disc. However, in this welcome recording of five Quantz concertos, flautist Rachel Brown seems the perfect ambassador to bring a few of these unfamiliar but intriguing works back into the repertoire. Whether playing a Baroque-inspired fugue, a more ‘classically styled’ Allegro or languid slow movement, Brown’s daring expression and technical brilliance – together with the Brandenburg Consort’s focused sound and racy pace – seem intuitive. Quantz and Brown appear together again, briefly, in Concert in Sanssouci. ‘Sans souci’ means ‘without worry’, and was the name of Frederick the Great’s country house near Potsdam. A certain joie de vivre is in the air in this recreation of a typical evening’s concert chez Frederick. The Hanover Band, under Roy Goodman, plays with real spirit, although Nathalie Stutzmann’s rich contralto lends a more melancholic feel in arias by CH Graun. Although Frank de Bruine is a rather understated soloist in the CPE Bach oboe concerto, the band’s dynamic interpretations and composer’s inventiveness win through.

James Brown - The Amazing James Brown (1961) {Universal Music Japan Mini LP UICY-9282 rel 2003}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 187 Mb | MP3 @320 -> 74 Mb
Full Artwork @ 600 dpi (jpg) -> 38 Mb | 5% repair rar
© 1961, 2003 Polydor / Universal Music Japan | UICY-9282 | Cardboard Sleeve | 24bit remastering
Funk / R'n'B / Soul / Boogie Woogie / Funky Jam

Long before he was the Godfather of Soul, James Brown was an artist that King Records struggled to fully understand or appreciate. His breakthrough hit Please Please Please was nearly not released, owing to the record company executive believing it to be rubbish and being perhaps as surprised as the public when it went on to become a major smash. King then tried to position him as a blues singer, only to see his body of work become revered on the R&B market. In time James would cross over to the pop field and register a series of hits that confirmed him as one of the biggest stars in popular music, irrespective of genre. This particular album was originally released in 1961 and whilst it failed to chart does contain no fewer than four hit singles.