J July 2022

The Lord of the Rings: The Rings of Power is an upcoming American fantasy television series based on the novel The Lord of the Rings and its appendices by J. R. R. Tolkien. Developed by showrunners J. D. Payne and Patrick McKay for the streaming service Prime Video, the series is set in the Second Age of Middle-earth, thousands of years before Tolkien's The Hobbit and The Lord of the Rings. It is produced by Amazon Studios with the Tolkien Estate, the Tolkien Trust, HarperCollins, and New Line Cinema.Howard Shore, the composer for the Lord of the Rings and Hobbit films, was reported to be in discussions with Amazon about working on the series in September 2020. He was said to be interested in developing musical themes but not necessarily composing the entire score. Shore was confirmed to be in talks for the series a year later, when composer Bear McCreary was reported to be involved as well. Their hiring was officially announced in July 2022, with McCreary composing the score and Shore writing the main title theme. McCreary said the main theme was created independently of the score, but he felt the two "fit together so beautifully".

Miles Davis - That's What Happened 1982 - 1985: "The Bootleg Series Vol. 7" sheds new light on an underappreciated period of the musician's restless, career-spanning search for sublime and transcendent sounds

Twenty seven years after the fact, this might well be the best of the early Family recordings. A combination of hard rock (bordering on metal) and wistful folk-rock (it sounds as if Chapman and Whitney were listening to a lot of Incredible String Band), A Song for Me veers toward early progressive rock, but isn't as nakedly indulgent as some early prog-rock recordings (e.g., they didn't try to sound like a jazz band, they wanted to sound like a rock band screwing around with jazz). Perhaps their most experimental record, it seems as though the credo in making this disc was that anything went. And on tracks like "Drowned in Wine," it works quite well. Again, Chapman offers more proof of his vocal greatness, and again the record sells large quantities in England and nearly nothing in America.

Miles Davis – That’s What Happened 1982-1985: The Bootleg Series Vol. 7 shines a fresh light on an underrated period of the musician’s restless career-spanning quest for sublime and transcendent sounds.
The 3CD set includes two discs of previously unreleased studio material–from the Star People, Decoy and You’re Under Arrest sessions–and a third disc showcasing Miles Davis Live in Montreal on July 7, 1983; the collection comes in a slipcase with individual album mini-jackets and a booklet featuring liner notes by Marcus J. Moore and revelatory new interviews with Miles’ 80’s players including Vince Wilburn, Jr. (drummer and bandmate), John Scofield (electric guitarist), Darryl Jones (bassist), Marcus Miller (bassist) and Mike Stern (guitarist).

A rarities album of the first incarnation of Marc Bolan’s Tyrannosaurus Rex featuring Steve Peregrine Took. The First LP collects all the tracks from the early first two sessions from the summer of ’67 The second LP collects rare and unused alternate versions recorded over the following two years until the departure of Steve Took. Presented in a deluxe gatefold sleeve with unpublished photos licensed from photographer Pete Sanders (who was responsible for 3 of the 4 Tyrannosaurus Rex Lp covers + the first T. Rex Lp cover) In depth liner notes by Andrew J Gardner and all royalties go to The Light of Love Foundation for the Marc Bolan School of Music & Film.

A Comprehensive Historical Release. Black & White Records Rescued from extinction – music you’ve likely never heard. At Mosaic, presenting music that’s been hard to find — or completely overlooked — is as exciting today as it was in 1983 when we assembled our very first package of Blue Note recordings featuring Thelonious Monk. Sometimes we unveil just a handful. Other times, dozens. So, can you imagine how exhilarated we are about an 11-CD set where nearly every track has been unavailable for nearly 75 years? Unearthing the music on our new collection, Classic Black & White Jazz Sessions, has been a dream for decades. Unlike most of our sets, the original masters of these sessions are not known to exist anymore. Confusion over who owned the copyrights and who owned physical recordings we could use as source material raised additional obstacles.