J. J. Johnson

Kai Winding & J.J. Johnson - The Great Kai & J. J. (2025 Remaster) (1961/2025) [Official Digital Download 24/96]

Kai Winding & J.J. Johnson - The Great Kai & J. J. (2025 Remaster) (1961/2025) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 42:50 minutes | 935 MB
Jazz | Studio Master, Official Digital Download

Alfie was released in 1966 as the soundtrack to the British film of the same name. This six-part work was arranged and conducted by Oliver Nelson, with Rollins supported by a number of musicians, including Kenny Burrell (guitar), J.J. Johnson (trombone) and Phil Woods (alto saxophone).

J.J. Johnson - The Total J.J. Johnson (1966/1997)  Music

Posted by Domestos at Dec. 19, 2019
J.J. Johnson - The Total J.J. Johnson (1966/1997)

J.J. Johnson - The Total J.J. Johnson (1966/1997)
EAC Rip | FLAC (tracks+.cue, log) ~ 213.94 Mb | 40:38 | Covers
Hard Bop | Label: RCA Victor/BMG France - 74321477912

All but one selection ("Blue") from this 1966 big-band album has been reissued on CD. J.J. Johnson, the main soloist throughout on trombone, also contributed all the compositions and arrangements for the 13- and 14-piece bands heard on the three sessions. There are short spots for some of the other players, particularly pianist Hank Jones, but the emphasis is on the arranged ensembles, making this project an excellent example of Johnson's often-overlooked writing talents. ~ AllMusic Review by Scott Yanow
J.J. Johnson - J.J.'s Broadway (1963) {2003 Verve Music Group} **[RE-UP]**

J.J. Johnson - J.J.'s Broadway (1963) {2003 Verve Music Group}
EAC Rip | FLAC with CUE and log | scans | 209 mb
MP3 CBR 320kbps | RAR | 98 mb
Genre: jazz

J.J.'s Broadway is the 1963 album by J.J. Johnson. Originally released by Verve, this CD was remastered by Bob Irwin for the Verve Music Group and released on 9 September, 2003.
This is one of the more obscure J.J. Johnson LPs. On six of the ten songs, the great trombonist is joined by four others, while the remaining four tracks (the main reasons to search for this album) feature him in a quartet with pianist Hank Jones, bassist Richard Davis and drummer Walter Perkins. Johnson's writing on the larger group pieces lifts the material, which is all taken from Broadway shows, while his playing on the quartet tracks is up to his usual level.
J.J. Johnson - The Columbia Albums Collection 1956-1961 (2017)

J.J. Johnson - The Columbia Albums Collection 1956-1961 (2017)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
4CD | Enlightenment, EN4CD9117 | ~ 1743 or 749 Mb | Artwork(png) -> 36 Mb
Jazz, Hard Bop

~ 4CD Set Compiling The Entirety of Johnson's Work As Bandleader With Columbia, Originally Released Between 1956-1961 ~
Bobby Womack, J.J. Johnson - Across 110th Street: Original Motion Picture Score (1972) [2006, Reissue]

Bobby Womack, J.J. Johnson - Across 110th Street: Original Motion Picture Score (1972) [2006, Reissue]
R&B, Soul/Funk, Stage & Screen | EAC Rip | FLAC, Img+CUE+LOG+Scans (PNG) | 30:19 | 321,52 Mb
Label: Charly Records (UK) | Cat.# SNAP 231 CD | Released: 2006-10-10 (1972-12-16)

"Across 110th Street" is a 1972 American action crime film directed by Barry Shear and starring Yaphet Kotto, Anthony Quinn, Anthony Franciosa and Paul Benjamin. The soundtrack of "Across 110th Street" reflects the mood and historical context of the film. The songs were written and performed by Bobby Womack, while the score was composed and conducted by J. J. Johnson. Made up of gritty and brooding funk, the soundtrack echoes the dark themes and imagery of the film. The critically praised title song was a #19 hit on the Billboard Hot Soul Singles chart in 1973 and was later featured in Quentin Tarantino's 1997 blaxploitation homage Jackie Brown. Its lyrics reflect the broader themes of impoverishment and desperation in the film, where characters feel beaten down by poverty and must do whatever it takes to stay alive.
J.J. Johnson - The Complete Columbia J.J. Johnson Small Group Sessions (1956-61) {7CD Mosaic MD7-169 rel 1996}

J.J. Johnson - The Complete Columbia J.J. Johnson Small Group Sessions (1956-61) {7CD Mosaic MD7-169 rel 1996}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.78 Gb | MP3 @320 -> 1.10 Gb
Full Artwork @ 300 dpi (jpg) -> 82 Mb | 5% repair rar
© 1956-61, 1996 Mosaic Records / Columbia / Sony Music | MD7-169
Jazz / Hard Bop / Trombone

This seven-CD limited-edition box set from Mosaic is another mind-boggling collection. The masterful trombonist J.J. Johnson recorded steadily for Columbia during the 1956-61 period, heading groups that ranged from quartets to sextets that performed solid hard bop. Johnson is joined on various selections by tenors Bobby Jaspar (doubling on flute) and Clifford Jordan; cornetist Nat Adderley; the young trumpeter Freddie Hubbard; pianists Hank Jones, Tommy Flanagan, Cedar Walton, and Victor Feldman; bassists Percy Heath, Wilbur Little, Paul Chambers, Spanky DeBrest, Arthur Harper, and Sam Jones; and drummers Elvin Jones, Max Roach, Albert "Tootie" Heath, and Louis Hayes.
Jay Jay Johnson - The Total JJ Johnson (1967/2017) [Official Digital Download 24-bit/192kHz]

J.J. Johnson - The Total J.J. Johnson (1967/2017)
FLAC (tracks) 24-bit/192 kHz | Time - 40:15 minutes | 1,48 GB
FLAC (tracks) 24-bit/96 kHz | Time - 40:15 minutes | 869 MB
Studio Master, Official Digital Download | Artwork: Front cover

"The Total J.J. Johnson" is an album by jazz trombonist and arranger Jay Jay Johnson and Big Band recorded for the RCA Victor label. The Allmusic review observed it as "the emphasis is on the arranged ensembles, making this project an excellent example of Johnson's often-overlooked writing talents".

J.J. Johnson - Modern Jazz Archive [Recorded 1949-1954] (2004)  Music

Posted by gribovar at Sept. 14, 2018
J.J. Johnson - Modern Jazz Archive [Recorded 1949-1954] (2004)

J.J. Johnson - Modern Jazz Archive [Recorded 1949-1954] (2004)
EAC Rip | FLAC (tracks+.cue+log) - 596 MB | MP3 CBR 320 kbps (LAME 3.93) - 284 MB | Covers - 21 MB
Genre: Jazz | RAR 3% Rec. | Label: Membran Music (221954-306)

Considered by many to be the finest jazz trombonist of all time, J.J. Johnson somehow transferred the innovations of Charlie Parker and Dizzy Gillespie to his more awkward instrument, playing with such speed and deceptive ease that at one time some listeners assumed he was playing valve (rather than slide) trombone. Johnson toured with the territory bands of Clarence Love and Snookum Russell during 1941-1942, and then spent 1942-1945 with Benny Carter's big band. He made his recording debut with Carter (taking a solo on "Love for Sale" in 1943), and played at the first JATP concert (1944)…
J.J. Johnson & Kai Winding - The Jay & Kai + 6: The Jay And Kai Trombone Octet (1956) {1995 Columbia France}

J.J. Johnson & Kai Winding - The Jay & Kai + 6: The Jay And Kai Trombone Octet (1956) {1995 Columbia France}
EAC Rip | FLAC with CUE and log | scans | 204 mb
MP3 CBR 320kbps | RAR | 83 mb
Genre: jazz

The Jay & Kai + 6: The Jay And Kai Trombone Octet is the 1956 collaboration album between trombonists J.J. Johnson and Kai Winding, who bring in six other trombonists to create their trombone all stars. This was also released as being by The Jay And Kai Trombone Octet and titled The Jay & Kai + 6. This was remastered and reissued in 1995 by Columbia France.
Sonny Stitt, Bud Powell, J.J. Johnson - Sonny Stitt, Bud Powell, J.J. Johnson (1950) {Prestige Japan MiniLP VICJ-4175 rel 2006}

Sonny Stitt, Bud Powell, J.J. Johnson - Sonny Stitt, Bud Powell, J.J. Johnson (1950) {Prestige Japan Mini LP VICJ-4175 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 170 Mb | MP3 @320 -> 112 Mb
Full Artwork @ 600 dpi (jpg) -> 46 Mb | 5% repair rar
© 1950, 2006 Prestige / Victor Japan | VICJ-41757 | MONO | 20bit K2 Remaster
Jazz / Bop / Saxophone

Sonny Stitt (2006 Japanese exclusive limited edition 17-track 'K2 High Definition Coding' CD album, originally released in 1956, also featuring Bud Powell & J.J. Johnson with THREE BONUS TRACKS, presented in mini LP-style cardsleeve reproducing the original album artwork with 'Jazz' obi-strip.) Three classic Sonny Stitt sessions from 1949-50 are heard here in full. Stitt, who had been out of action due to his "personal problems," not only made a full-fledged comeback on these dates but debuted on (and stuck exclusively to) tenor rather than playing alto, where he was being assailed as a Charlie Parker imitator.