J.o. Morgan

R.J. (Robert) Mischo began singing and playing harmonica in the Minneapolis area in the late '70s. He played with the blues heavyweights of that area and timeframe such as Muddy Waters sideman Mojo Buford, Percy Strother, and Milwaukee Slim. R.J. also fronted several of his own bands, including Blues Deluxe and R.J. & Kid Morgan Blues Band (which featured guitarist Teddy Morgan and singer Percy Strother). His 1992 album with that band, Ready to Go, won praises far and near and still has an unmatched magic about it. Mischo was nominated for several Minnesota Music Academy Awards while in Minneapolis, and in 1996, he won the award for Best Harmonica Player…

Dallas-raised guitarist, singer, and songwriter Mike Morgan formed his blues and blues-rock band in the late '80s, amid that city's still thriving nightclub scene. Morgan, who got his first guitar in elementary school, was inspired to play better guitar after hearing Stevie Ray Vaughan's debut album, Texas Flood, in 1985. He grew up in suburban Dallas listening to the radio and being inspired initially by people like Otis Redding and Wilson Pickett. Morgan had been playing rock guitar prior to this, but after 1985 he jumped with both feet into playing blues and blues-rock. Although he was motivated and influenced by the late legendary Vaughan, Morgan also cites T-Bone Walker, Magic Sam, and fellow Dallas area musician Anson Funderburgh as influences on his music…

Jimmy Smith - The Complete Sermon Sessions (2009) {2CD Set Groove Hut Records–Blue Note rec 1957-1958}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 0.98 Gb | MP3 @320 -> 351 Mb
Full Artwork @ 300 dpi (png) -> 45 Mb | 5% repair rar
© 1957-58, 2009 Blue Note / Groove Hut Records | GH 66712
Jazz / Hard Bop / Soul Jazz / Organ Hammond B-3

2009 release from the Jazz great containing Smith's complete classic Sermon sessions, in chronological order, together for the first time ever on a single set. These are his only preserved collaborations with Lee Morgan, the formidable trumpet player whose life came to a tragic end after being shot by his girlfriend at the tender age of 33. Tenor saxophonist Tina Brooks is also featured here. The outstanding reedman would pass away at the age of 42 after a life of drug addiction and self abuse. The great Jimmy Smiths was a Jazz musician whose performances on the Hammond B-3 electric organ helped to popularize this instrument.

Leaving his conch shells - and more offbeat ideas - home this time, Steve Turre's motive for this release was to honor the fountainhead of bop (and thus, modern jazz) trombone, J.J. Johnson, who had tragically taken his own life in 2001 in the face of a terminal illness. In doing so, Turre loads his front line with nothing but trombones - as many as six, but usually fewer. Besides himself, the other trombonists on the album are Robin Eubanks, Steve Davis, Andre Hayward, Douglas Purviance, and New York Philharmonic principal trombonist Joe Alessi (who also plays good jazz). It's a fairly conservative recording by Turre's standards, with an emphasis mostly on the straight-ahead bop that Johnson championed. Indeed, many of the duo-trombone charts sound like latter-day echoes of the famous K and J.J. (Kai Winding/J.J. Johnson) records of the 1950s and '60s…